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Telesna instalacija - med performansom in objektom
Kocmur, Tatiana (Author), Berlot Pompe, Uršula (Mentor) More about this mentor... This link opens in a new window, Kariž, Žiga (Mentor) More about this mentor... This link opens in a new window

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Abstract
Magistrsko delo z naslovom Telesna Instalacija – med performansom in objektom je skupek osebnih razmišljanj o lastni performativni in body art praksi, ki je podprt s teorijo in deli drugih umetnic. Ob vsakem opisanem avtorskem delu izpostavim ključne elemente in teme, ki sovpadajo s ključnimi elementi in temami performativne in body art umetnosti od šestdesetih let dvajsetega stoletja dalje. Umetnice so specifike performativne in body art umetnosti uporabljale kot del avtobiografskega izraza; za distanciranje od konvencionalnih okvirov uveljavljene umetnosti, umetnostne zgodovine in kritike; za premestitev uveljavljenih struktur in umetniško eksperimentiranje ter za spreminjanje ustaljenega razmerja med ženskim telesom in umetniškim objektom. Z zarisovanjem lastne performativne krivulje želim predstaviti osebno likovno govorico, ki temelji na slikarskem pogledu na specifike body art umetnosti. Zanimanje usmerjam na telesna dejanja, prek katerih prikazujem žive podobe žensk, zamrznjene v prostoru in trajajočem času. To ni mogoče brez prepleta človeka in sekundarnega kulturnega predmeta, ki je posrednik kulturnih pomenov. Predmetenje telesa zagotavlja prehod subjekta v objekt ter način združevanja performansa in umetniškega predmeta. Tovrstno združevanje imenujem telesna instalacija.

Language:Slovenian
Keywords:slikarstvo, telo, telesna instalacija, body art, performans, magistrska naloga
Work type:Master's thesis/paper (mb22)
Organization:ALUO - Academy of Fine Arts and Design
Year:2020
Views:136
Downloads:68
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Secondary language

Language:English
Title:Body installation - between performance and the object
Abstract:
The master thesis Body Installation – Between Performance and Object presents some personal reflections on my own performative and body art practice, supported by theory and various works from other artists. With each personal work of art I discuss, I set out key elements and themes which correspond to key elements and themes of the performative art and body art starting in the 1960s. Female artists have used specifics from performative art and body art as a part of autobiographical expressions; to distance themselves from conventional frameworks of established art, art history and criticism; to transfer determined structures and for artistic experimentation, as well as to change the set relationship between a woman’s body and an artistic object. By establishing my own performative curve, I want to present my personal artistic language, which is based on my artistic view as a painter on specifics of body art. I direct the attention to body acts, through which I show live images of women frozen in space and running time. This is not possible without the intertwinement of a human and a secondary cultural object, which conveys cultural meanings. Body objectivization ensures a transition from subject to object, and a way of combining performance and an artistic object. I call this kind of combination body installation.

Keywords:painting, body, body installation, body art, performance, MA thesis

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