Master’s thesis interprets the mother-figure in the chosen works of Federico Garcia Lorca. It begins with a brief presentation of mother’s figure from the theoretical point of view, then it is followed by typology of mothers. The life and work of one of the most famous Spanish authors of the last century is presented in the second part of the thesis. His views and attitudes are represented on behalf of his statements about the theatre. In the last part there is an analysis about the chosen Lorca’s plays considering the role of the mother-figure in comparison with the typology of the first part of the thesis. At the end there is also a shorter chapter about the possible reasons of the absence of men in Lorca’s plays.
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