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Materializacija spominov v pletenem nakitu
ID Hvalica, Urška (Author), ID Burger Kovič, Katja (Mentor) More about this mentor... This link opens in a new window

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MD5: B9E409C28B64B75BBB93BF9580C21F3A
PID: 20.500.12556/rul/34b9c4ac-c1f5-4241-a31b-3658611d5b42

Abstract
Diplomsko delo raziskuje okraševanje človeškega telesa in predstavi kolekcijo nakita, ki je oblikovan kot simbolno prepletanje spominov iz preteklosti. Izhodišče kolekcije je tehnika pletenja in njen osnovni ponavljajoči člen - petlja. Oblikovalski proces obsega preizkušanje različnih materialov in tehnologij z zavestjo izvora pletene strukture in njene transformacije. Namen raziskovanja je nadgradnja le-te, kar omogoči nove možnosti v oblikovanju sodobnega nakita. Teoretični del naloge obsega teme okraševanja telesa, namen nakita v preteklosti in danes ter pomen tradicionalnih tekstilnih tehnik in tekstilnega ročnega dela v današnjem času. Poseben poudarek teoretičnega dela je namenjen vlogi vizualnega in čutnega spomina v procesu oblikovanja. Praktični del naloge predstavi proces preizkušanja različnih tehnik oblikovanja tekstilne forme, od ročnega prepletanja tekstilnih in netekstilnih materialov do oblikovanja s pomočjo računalniškega modelirnega programa in 3D tiska. Skozi medij kolaža so obujeni spomini na zapuščino in zgodovino prednikov. Spomini imajo namreč močan vpliv na proces oblikovanja, saj so osrednji motiv le-tega in velikokrat materializirani v kolekciji nakita, ki poudarja tudi pomen ženske v svetu oblikovanja in nujnost ohranjanja kulturne dediščine.

Language:Slovenian
Keywords:nakit, pleten nakit, spomin, tradicionalne ročne tehnike, kulturna dediščina
Work type:Bachelor thesis/paper
Organization:NTF - Faculty of Natural Sciences and Engineering
Year:2017
PID:20.500.12556/RUL-94496 This link opens in a new window
Publication date in RUL:01.09.2017
Views:1510
Downloads:427
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Secondary language

Language:English
Title:Memory inspired knitted jewellery
Abstract:
The presented thesis researches contemporary and traditional forms of decorating the human body and presents a collection of jewellery designed as a symbolic interlacing of past memories. The collection is inspired by the technique of knitting and its repeating element – the loop. The design process researched the effect of various materials and making technologies on the knitted structure. The objective was to research its potential transformation and possible use in the design of textile jewellery. A theoretical chapter of the thesis outlines the following topics: the decoration of the human body, the past and present role of jewellery, traditional textile knitting techniques and their importance today. A separate subchapter explains the role of visual and sensual memory in the design process. An experimental chapter of the thesis presents various techniques of prototyping, visualisation of past memories and the final collection. The formal expression of the prototypes is tested by the manual knitting of textile and non-textile, as well as by the use of computational design and making tools, such as the 3D printer. Memories, visualized in collages, are the inspiration for the jewellery collection that expresses the importance of women in design and the importance of preservation of heritage.

Keywords:jewellery, knitted jewellery, memory, traditional hand craft, heritage

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