Akustični vidiki oblikovanja parka na primeru mestnega parka v Ribnici

Rus, Domen (author), Gazvoda, Davorin (mentor), Čudina, Mirko (comentor)

Magistrsko delo obravnava zvok in slušno zaznavanje kot izhodišče pri prostorskem oblikovanju. Zvok je namreč predvsem v kontekstu zaznavanja prostora nujen spremljevalec vsakodnevnih podob in dogodkov. Informacijo, ki jo prenaša, zaznavamo s sluhom, ta pa v kombinaciji z ostalimi čutili oblikuje svet okrog nas in nas postavlja v prostor. Zvok pojmujemo kot dražljaj, primerljiv s tistim, ki ga človek zaznava z vidom, in nanj gledamo kot na alternativni vir vzbujanja pozornosti. S tega vidika nosi zmožnost, da podobno kot običajna parkovna prizorišča v obiskovalcu vzbudi pozornost in s tem željo, da se v parku zadrži dlje. Na ta način se zvok in slušno zaznavanje postavljata ob bok vidnemu zaznavanju ter vizualnim podobam parka, zaradi česar sta izhodišče za določitev programskih vsebin parka. Ker je zvok neoprijemljiv in spontan se bistveno razlikuje od zaznavanja prostora preko podob, ki jih zaznavamo z vidom, s tem pa se oddalji od ustaljenih izraznih sredstev. Magistrsko delo v načrtovanje parka zaobjame še načrtovanje zunanjega avditorija in večjega koncertnega prizorišča na način, ki z upoštevanjem prostorsko-akustičnih zahtev v kar se da veliki meri zagotavlja dobro izkušnjo obiskovalca in izvajalca v času glasbenih predstav. Predlog parka je javna zelena površina, kjer zvok služi kot nadgradnja in dopolnitev parkovnih prizorišč.

• Language: Slovenian
• Keywords: krajinsko oblikovanje, zaznavanje prostora, zvok, akustika, odprta prizorišča, mestni parki, Ribnica
• Work type: Master's thesis/paper
• Typology: 2.09 - Master's Thesis
• Organization: BF - Biotechnical Faculty
• Publisher: [D. Rus]
• Year: 2017
• PID: 20.500.12556/RUL-91859
• UDC: 712.25:534.83/.84(043.2)
• COBISS.SI-ID: 8728953
• Publication date in RUL: 25.04.2017

Secondary language

• Language: English
• Title: Acoustical aspects in park design on a case of public park in Ribnica

Abstract

The work considers sound and hearing as a basis of spatial design. Sound or sound waves are a necessary phenomenon of events we encounter daily in a context of perceiving space and our living environment. The information it carries we sense with hearing, which in combination with other senses forms world around ourselves and sets us in our living environment. Sound is considered as stimulus comparable to that we sense with sight and is viewed as alternative source of drawing attention. From this point of view sound bares capability similar as classical park scenes, that may prolong visitors time in park. This way sound and hearing are set beside sight and perceiving park scenery and represent the basis for defining the program. Because sound of environment is physically imperceptible and spontaneous it differs significantly from perceiving space with sight. This way it deviates from usual means of expression. The work includes planning of open space auditorium and larger concert venue in a way that through architectural and acoustical standards both provide suitable listening and performing conditions. The general proposal is public park where sound complements typical park scenery.

• Keywords: landscape design, space perceiving, sound, acoustics, outdoor venues, urban parks, Ribnica