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Doživljanje plesno-gibalnih delavnic mlajših odraslih v okviru Sončka - Zveze društev za cerebralno paralizo
ID Sedevčič, Urška (Author), ID Smrtnik Vitulić, Helena (Mentor) More about this mentor... This link opens in a new window, ID Geršak, Vesna (Co-mentor)

URLURL - Presentation file, Visit http://pefprints.pef.uni-lj.si/3921/ This link opens in a new window

Abstract
Izsledki raziskav različnih avtorjev kažejo na pomembnost vključevanja ustvarjalnega giba pri delu z osebami s posebnimi potrebami. Napredek je viden na psihomotoričnem, socialno-emocionalnem ter intelektualnem področju. V diplomskem delu smo predstavili izkušnje, ki so jih mlajši odrasli s cerebralno paralizo ter oseba z Downovim sindromom pridobili skozi gibalno-plesne delavnice ter o njih poročali. Delavnice so temeljile na gibanju oz. uporabi ustvarjalnega gibanja, zato smo v teoretičnem delu najprej opredelili pojem gibanje, nato pa pojem ustvarjalnost in ga povezali z ustvarjalnim gibom ter plesom. Izpostavili smo tudi pomen ustvarjalnega giba/plesa za različna področja posameznikovega delovanja, kot so psihomotorično, socialno-emocionalno ter intelektualno področje in se usmerili na pomen vključevanja ustvarjalnega giba v pouk. Opisali smo značilnosti razvoja oseb s posebnimi potrebami in se podrobneje usmerili na osebe s cerebralno paralizo in Downovim sindromom ter poudarili pomen izražanja z gibom za delo z njimi. V okviru gibalno-plesne delavnice so udeleženci spoznavali svoje telo in načine izražanja skozi telo, spoznavali telesno izražanje drugih udeležencev, gradili so na pozitivnem samospoštovanju, se sproščali, izražali čustva ter pridobili psihofizično vzdržljivost. Skupaj z udeleženci delavnic smo vsako leto delovanja zasnovali, oblikovali in uprizorili gibalno-plesno predstavo. V empiričnem delu smo z uporabo polstrukturiranega intervjuja predstavili izkušnje sedmih plesalcev, ki so jih v petletnem obdobju pridobili skozi delavnice v gibalno-plesni skupini Sonček. Odgovore intervjujev, ki so jih podali udeleženci, smo kvalitativno analizirali. Rezultati intervjujev so nam omogočili vpogled oz. spoznanje, na katerih področjih so udeleženci pridobili ter kaj udeležencem pomenijo izkušnje, pridobljene skozi gibalno-plesne dejavnosti. Ugotovili smo, da so imele gibalno-plesne delavnice velik pomen za udeležence na psihomotoričnem in socialno-emocionalnem področju delovanja. Na psihomotoričnem področju so udeleženci izpostavili predvsem krepitev motoričnih spretnosti, fizičnega stanja, umirjenosti, telesnega sproščanja in gibljivosti. Na socialno-emocionalnem področju pa so udeleženci izpostavili predvsem pomen druženja, izražanja občutkov, samozaupanja, motivacije, sodelovanja, medsebojne pomoči, pogovora, povezanosti v skupini, samostojnosti, občutka sprejetosti ter vključevanja v družbo. Ti rezultati so lahko osnova za izboljšanje sestave in evalvacije programa gibalno-plesnih delavnic za delo z osebami s posebnimi potrebami v prihodnje.

Language:Slovenian
Keywords:Gibanje
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Year:2016
PID:20.500.12556/RUL-86417 This link opens in a new window
COBISS.SI-ID:11235401 This link opens in a new window
Publication date in RUL:19.09.2017
Views:938
Downloads:110
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Secondary language

Language:English
Title:Experiencing dance-movement workshops by young adults in a context of Sonček – Cerebral Palsy Association
Abstract:
Findings of the researches of different authors show the importance of including creative movement within the work with the persons with special needs. The progress is visible in psychomotor, social-emotional as well as intellectual field. In the diploma thesis we presented the experience, gained by young adults with cerebral palsy and a person with Down syndrome through dance-movement workshops; the participants reported about the workshops. The workshops based on movement and on the use of creative movement. Therefore, in the theoretical part, we first defined the conception of movement, then the conception of creativity and linked the latter with creative movement and dance as well. We emphasized the significance of creative movement/dance for different areas of an individual’s activity, such as psychomotor, social-emotional and intellectual field; we focused on the significance of including creative movement in teaching. We described the characteristics of the development of the persons with special needs, focused more thoroughly to the persons with cerebral palsy and Down syndrome and stressed the significance of expressing oneself with body in working with them. Within the framework of dance-movement workshop the participants were discovering their bodies and the methods of expressing through the body. They learnt about bodily expression of other participants. They built on positive self-respect, they were relaxing, expressing emotions and gained psycho-physical endurance. Together with the participants of the workshops we designed, formed and staged dance-movement performance in every year of the activities. In the empirical part we presented the experiences of seven dancers, who gained these experiences through the workshops in dance-movement group Sonček in the five-year period, by means of a semi-structured interview. We qualitatively analyzed the responses from the interviews, given by the participants. The results of the interviews enabled us an insight or a discovery in which fields the participants gained and what is the significance of the experience, gained through dance-movement activities to the participants. We ascertained that the dance-movement workshops had a great significance for the participants in psychomotor and social-emotional field of operation. In psychomotor field the participants stressed mostly the strengthening of the motor skills, improvement of physical condition, calmness, the significance of bodily relaxation and better flexibility. In social-emotional field the participants stressed the significance of socializing, expressing the feelings, self-reliance, motivation, cooperation, mutual help, conversation, connections within the group, independence, feeling of acceptance and integration into the society. These results can be a foundation for a better composition and evaluation of the program of dance-movement workshops for the work with persons with special needs in the future as well.

Keywords:Movement

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