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Vizualizacija in likovna artikulacija pri srednješolcih : magistrsko delo
ID Jakša, Janja (Author), ID Frelih, Črtomir (Mentor) More about this mentor... This link opens in a new window, ID Jerman, Janez (Co-mentor)

URLURL - Presentation file, Visit http://pefprints.pef.uni-lj.si/3515/ This link opens in a new window

Abstract
Ko otrok vstopi v mladostništvo, se njegov likovni razvoj zaključuje. V tem obdobju ne izraža več tolikšne želje po likovnem izražanju, hkrati pa se močneje pojavlja potreba po individualnem likovnem izrazu in pogosto tudi težnja po klišejskem upodabljanju. Z ustrezno učno metodo, predvsem z metodo transponiranja in alternative, pa učitelj močno spodbudi domišljijo mladostnika in ga usmeri v iskanje lastnih, izvirnejših idej in likovnih rešitev. Cilj raziskave je bil preučiti omenjeni metodi ustrezno znanstveno še ne preverjeno likovno izražanje s pomočjo vizualizacije, ko učenci na osnovi izbranih besednih spodbud zaprtih oči v mislih zavestno oblikujejo vizualne predstave. Znotraj teh intuitivno iščejo ustvarjalne likovne rešitve, skozi katere se odražajo osebnostne lastnosti in likovni (estetski) čut. Zaradi specifičnih lastnosti vizualizacija prispeva tudi h globinski sprostitvi in obvladovanju čustvenih napetosti, značilnih za mladostnike. Za doseganje ciljev in zastavljenih hipotez je bil uporabljen kvantitativen pristop raziskave po metodi pedagoškega eksperimenta. Prav tako je bil uporabljen kvalitativen pristop, saj smo kvalitativno analizirali likovna dela dijakov in odgovore dijakov na odprta anketna vprašanja. Raziskava je potrdila splošno hipotezo, da bodo likovna dela, ki jih bodo dijaki izdelali s pomočjo vizualizacije, izvirnejša od likovnih del, ki jih dijaki ne bodo izdelali s pomočjo vizualizacije, iz likovnih del pa bo razvidna tudi večja fleksibilnost in občutljivost dijakov pri likovnem izražanju. Dijaki so do likovnega izražanja s pomočjo vizualizacije izrazili pozitivnejši odnos v primerjavi z likovnim izražanjem na tradicionalen način. Raziskava je pokazala statistično pomembne razlike v rezultatih likovnih nalog primerjalnih skupin glede izvirnosti, fleksibilnosti in občutljivosti pri likovnem izražanju in glede odnosa do likovnega izražanja v korist skupine, ki je likovna dela izdelala s pomočjo vizualizacije. Kvalitativna analiza likovnih del je pokazala tudi elemente, ki posebej izstopajo pod vplivom vizualizacije. Raziskava je jasneje določila mesto vizualizacije na področju likovne didaktike ter ponudila nove možnosti spodbude individualnega likovnega izraza mladostnikov in nove načine poučevanja likovne umetnosti.

Language:Slovenian
Keywords:individualizacija, sproščanje, vizualizacija, likovna artikulacija, moč likovnih izrazil
Work type:Master's thesis
Typology:2.09 - Master's Thesis
Organization:PEF - Faculty of Education
Publisher:[J. Jakša]
Year:2016
Number of pages:118 str., [61] str. pril.
PID:20.500.12556/RUL-83704 This link opens in a new window
UDC:7:373.5(043.2)
COBISS.SI-ID:11050825 This link opens in a new window
Publication date in RUL:24.08.2016
Views:1009
Downloads:148
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Secondary language

Language:English
Title:Visualisation and art articulation of high school students
Abstract:
When a child enters adolescent age, his or her art development is coming to an end. That is, in this period their wish for expression in the field of art is dwindling, however, at the same time the wish for individual visual expression becomes stronger and often also the tendency for clichéd artistic representation. Using an appropriate teaching method and especially through transposition and alternative techniques, the teacher can succeed in greatly boosting the imagination of young people guiding them towards seeking their own original ideas and artistic solutions. The objective of the research was to study the aforementioned methods of art expressiveness with the help of visualisation that have not yet been properly scientifically verified. On the basis of selected verbal stimuli the high school students consciously formed visual representations in their minds while keeping their eyes closed. Within these visual representation they seek creative artistic solutions, which express their personal traits and artistic (aesthetic) sense. Due to specific characteristics the visualisation also contributes to deep relaxation and eases the emotional tensions typical of youths. To reach the objectives and the set hypotheses we used a quantitative research approach following the pedagogical experiment method. In addition, we used a quality approach since we conducted quality analysis of the high school students’ artworks and their responses to the essay survey questions. The research confirmed the general hypothesis that artworks which the high school students produced using visualisation would prove more original than the artworks created using no such method. Moreover, artworks would exhibit greater flexibility and sensitivity of students with regard to artistic expression. Through visualisation the students have developed a more positive attitude towards visual expression as compared with visual expression achieved in a traditional way. The research has shown statistically significant differences within the results of artworks of both compared groups with regard to originality, flexibility and sensitivity of visual expression. The group which used the visualisation method when creating artworks also showed a different attitude towards visual expression. The quality analysis of artworks has also shown elements which are particularly noticeable when using visualisation. The research identified the role of visualisation in the field of visual art didactics in a clearer way offering new possibilities of encouraging individual visual expression of youths and new methods of teaching visual art.

Keywords:individualization

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