Koncept kreativnosti, neenakost spolov in položaj inovatork v Sloveniji

Adam, Alja (author)

V članku se ukvarjam z analizo pojma kreativnost v navezavi na spolno perspektivo, pri tem pa upoštevam relacijo med ustvarjalnostjo in inovacijo ter usmerjam pozornost k ženskam, ki v Sloveniji delujejo kot samostojne inovatorke. Predstavim teorijo antropologa Liepa, ki vzpostavlja vzporednico med kreativnostjo in izumiteljstvom, ter osvetlim koncept "improvizacijske kreativnosti", o katerem govorita Hallam in Ingold. V drugem delu predstavim analizo intervjujev, ki sem jih opravila z inovatorkami, in utemeljim, zakaj definicija kreativnosti, ki se veže na relacijo inovacija/tehnologija, ni primerna za koncipiranje ženskega položaja. Spregovorim o pojmu "improvizacije" kot o epistemološkem modelu, skozi katerega je mogoče na pozitiven, odprt in ustvarjalen način na novo interpretirati spolne vloge in odnos med spoloma.

• Language: Slovenian
• Keywords: inovatorstvo, ženske, položaj žensk
• Work type: Not categorized
• Typology: 1.01 - Original Scientific Article
• Organization: FDV - Faculty of Social Sciences
• Year: 2013
• Number of pages: Str. 482-502, 684
• Numbering: Letn. 50, št. 3/4
• PID: 20.500.12556/RUL-76536
• UDC: 316.346.2-055.2:001.895(497.4)
• ISSN on article: 0040-3598
• COBISS.SI-ID: 32131933
• Publication date in RUL: 21.12.2015

Record is a part of a journal

• Title: Teorija in praksa : revija za družbena vprašanja
• Shortened title: Teor. praksa
• Publisher: Visoka šola za politične vede, Visoka šola za politične vede, Visoka šola za sociologijo, politične vede in novinarstvo, Fakulteta za sociologijo, politične vede in novinarstvo, Fakulteta za družbene vede
• ISSN: 0040-3598
• COBISS.SI-ID: 763652

Secondary language

• Language: English

Abstract

The article deals with an analysis of the concept of creativity in relation to the gender perspective, and focuses on the relationship between creativity and innovation by drawing attention to the women who work in Slovenia as independent innovators. In the first part of the text, I introduce the theory of the anthropologist Liepa, which establishes a parallel between creativity and inventorship, and I illuminate the concept of "improvisational creativity" presented by Hallam and Ingold. In the second part of the text, I introduce an analysis of the interviews made with the innovators and point out why the definition of creativity, which is connected to the relationship between innovation/technology, is unsuitable for conceptualising the position of women. The article addresses the concept of "improvisation" as an epistemological model through which we can reinterpret gender roles and relations in a positive and creative way.