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Intervencije v fotografiji : diplomsko delo
ID Žmavc, Sonja (Author), ID Huzjan, Zdenko (Mentor) More about this mentor... This link opens in a new window, ID Tomšič Amon, Bea (Comentor)

URLURL - Presentation file, Visit http://pefprints.pef.uni-lj.si/id/eprint/2816 This link opens in a new window

Abstract
Sodobna umetnost v svojih študijskih programih tudi danes izpostavlja risbo kot nosilko ustvarjalnih vsebin na vseh področjih likovnega snovanja, ne glede na sodobne raznolike medsebojne medijske povezave. Osebna nota, ki jo negujem v svojem snovanju po študiju na ljubljanski Univerzi, potrebuje prav risbo oziroma risanje, ki kot zaprta nepretrgana sled gradi mojo intimistično izpoved v njej. Linija je zame sled čustvovanj in vsebina bližine, ki tudi danes izpostavlja sosledje osebnega podoživljanja našega skupnega bivanja. Iskrenost izkušenj ob tem prevzemajo v mojem delu tudi kolažirani računalniški in drugi grafični odtisi, ki so lahko tudi del sodobnih tendenc znotraj še aktualne feminilne umetnosti. V svoji risbi negujem njeno rahločutnost v odnosu do svetlobe, v katero jo rišem in jo razumem, kot primarno izpovedno, bivalno sled - kot dotik z drugim.

Language:Slovenian
Keywords:sodobna umetnost, risarske tehnike, risba, upodabljanje človeškega telesa, intervencija
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Publisher:[S. Žmavc]
Year:2015
Number of pages:IV, 79 f.
PID:20.500.12556/RUL-70781 This link opens in a new window
UDC:7.02(043.2)
COBISS.SI-ID:10553161 This link opens in a new window
Publication date in RUL:10.07.2015
Views:1467
Downloads:173
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Secondary language

Language:English
Title:Interventions in photography
Abstract:
Even today the highlights of contemporary art is drawing as a vehicle for creative content in all fields of artistic creativity regardless of diverse contemporary per media connections. Personal note, that I cherished in my art after studying at the University, that needs drawing, which is closed as a continuous trail of building my intimate confession to her. Line is the trace of emotions for me and the content of closeness that today exposes in a sequence of personal experiences of our common existence. Sincerity experience with this bearies in my work as a computer collage and other graphic prints, which can also be part of the modern tendencies within current also feminine arts. In my drawings I care for its sensitivity towards the light in which I draw, and understand it as the primary expressive, living trace - like touch with others.


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