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Motiv morja - marina : diplomsko delo
ID Pregelj, Ervin (Author), ID Huzjan, Zdenko (Mentor) More about this mentor... This link opens in a new window, ID Tomšič Amon, Bea (Co-mentor)

URLURL - Presentation file, Visit http://pefprints.pef.uni-lj.si/id/eprint/2555 This link opens in a new window

Abstract
V diplomskem delu sem raziskoval podobe morja in morske obale kot specifičen motiv krajinskega slikarstva – krajinarstva,imenovanega marina. Zgodovina motiva se povezuje z življenjem ob morju, tihožitjem ob morju, morjeplovstvom in podobnimi dejavnostmi od začetka 18. stoletja dalje. Kasneje postane motiv meščanski del bivalnega prostora kot romantično grajena slika in potem del modernizma kot raziskovanje svetlobe. Motiv se je ohranil v različnih oblikah vse do danes in je povezan z različnimi mediji, kot so film, fotografija video art in drugi. Na področju poučevanja je motiv trajno vpet v geografsko občutenje prostora in občutenje letnih časov. Področje morskega motiva zahteva vživljanje v naravo in adekvatno odzivanje. V likovnih delavnicah ob morju se odvijajo bogate vsebine, povezane z različnimi načini slikanja, ohranjanjem svetlobe in barve pri sestavljanju različnih najdenih sredstev (kamenčki, školjke), pri nabiranju in ohranjanju drugih tako imenovanih umetniških sredstev. Raziskovalna vprašanja v nalogi se nanašajo na vživljanje v krajinsko arhitekturo, bivalno arhitekturo in pojav svetlobe. Pri slikarskih nalogah se vprašujemo po čistosti barve oziroma obarvanih sencah. Svetlobo ohranjamo z redčenjem in različnim zgoščevanjem barve, nanosom in dinamiko barve ter z ohranjanjem svetlobe nosilca. Pri praktičnem delu v razredu je poudarek na izvedbi učne ure s problemsko zasnovano likovno nalogo z likovnim vrednotenjem in analizo posameznih likovnih del.

Language:Slovenian
Keywords:krajina, marinisti, realizem, romantika, impresionizem, pointilizem, modernizem
Work type:Undergraduate thesis
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Publisher:[E. Pregelj]
Year:2014
Number of pages:57 f.
PID:20.500.12556/RUL-69192 This link opens in a new window
UDC:75(26)(043.2)
COBISS.SI-ID:10257481 This link opens in a new window
Publication date in RUL:10.07.2015
Views:2053
Downloads:214
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Secondary language

Language:English
Title:The motif of the sea – marine painting
Abstract:
In my diploma paper I was researching sea and coast images as a specific theme of a landscape painting called marina. History of this particular theme is connected to life by the sea, shipping, still life and others similar links which have started in the 18th century. Later on the theme became integrated into a living space as a bourgeois accessory, as a romantically designed painting and later it became a part of a modernism in sense of exploring the light. The theme was preserved in various forms and it has stayed connected till nowadays to different media such as film, photography, video art and others. In the field of education the theme is lastingly integrated into a geographical space perception and into perception of seasons. The field of the marine theme demands understanding and sensing the nature as well as the adequate feedback. Art workshops by the sea are rich in presenting various ways of painting, as well as in teaching how to preserve the light and colour during painting different found items (little stones, shells) and also in gathering and preserving other so called artistic means. My research questions refer to landscape architecture, living architecture and phenomenon of the light. During our painting tasks we are questioning ourselves about paint’s purity or better said about coloured shadows. The light is preserved by diluting and thickening the paint, by adding it and also by preserving the light of the item. During practical classroom work the emphasis is on carrying out the lesson which contains problem designed art task in connection with validation and analyses of individual art works.


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