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Gestualno slikarstvo : diplomsko delo
Jerman, Rebeka (Author), Gorjup, Tomaž (Mentor) More about this mentor... This link opens in a new window, Podobnik, Uršula (Co-mentor)

URLURL - Presentation file, Visit http://pefprints.pef.uni-lj.si/id/eprint/2466 This link opens in a new window

Abstract
Osrednjo temo diplomskega dela predstavlja gestualno slikarstvo. V teoretičnem delu diplomske naloge se najprej osredotočim na pomen geste v človekovi samoartikulaciji, katere nadgradnja je umetniška manifestacija in z njo povezana gesta v gestualnem slikarstvu. Sledi obrazložitev osvobajanja geste preko pregleda določenih umetnostno - zgodovinskih obdobij in gibanj. Osrednji del teoretičnega dela sestavlja analiza ozadja nastanka in delovanja abstraktnega ekspresionizma in informela, njune karakteristike ter različni pristopi ustvarjanja njunih poglavitnih predstavnikov. Omenjenima slikarskima pristopoma je v diplomskem delu posvečena tudi največja pozornost, saj se povezujeta z mojim osebnim likovnim izražanjem. Analiza gestualnega izražanja in ustvarjalnega akta je poglobljena tudi s psihološko razlago ter Freudovo in Jungovo teorijo nezavednega. Praktični del diplomskega dela predstavlja formalna analiza lastnih izbranih del in razmislek o razvoju gestualnosti pri mojem slikarskem delu. Pedagoško-raziskovalni del je sestavljen iz učne priprave, analize izdelkov dijakov Srednje zdravstvene šole Ljubljana ter samoevalvacije realiziranih učnih ur.

Language:Slovenian
Keywords:abstraktni ekspresionizem, informel, ustvarjalni akt, likovna vzgoja
Work type:Bachelor thesis/paper (mb11)
Tipology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Year:2014
Publisher:[R. Jerman]
Number of pages:VIII f., 113 str.
UDC:75(043.2)
COBISS.SI-ID:10216777 Link is opened in a new window
Views:786
Downloads:155
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Secondary language

Language:English
Title:Gestual painting
Abstract:
Gestural painting art presents the central theme of the thesis. In the theoretical part of the thesis I focused on the importance of gestures in human self-articulation, which upgrades the artistic manifestation and the associated gestural painting in art. An explanation of liberating gesture through a review of certain art - historical periods and movements is presented in next chapter. The central part of the theoretical part consists of the analysis of the occurrence of the background and the operation of Abstract Expressionism and Art Informel, their characteristics and the different approaches of creating their main painters. In the thesis the greatest attention is dedicated to this painterly approaches because of the connection with my personal artistic expression. Analysis of gestural expression and the creative act is presented also with depth psychological interpretation by Freud's theory and Jung's theory of the unconscious.


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