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Vloga fotografije v slikarskem umetniškem delu : diplomsko delo
Žerjal, Eva (Author), Frelih, Črtomir (Mentor) More about this mentor... This link opens in a new window, Podobnik, Uršula (Co-mentor)

URLURL - Presentation file, Visit http://pefprints.pef.uni-lj.si/id/eprint/2462 This link opens in a new window

Abstract
Osrednja tema tega diplomskega dela je makro fotografija. V diplomski nalogi spoznamo, kaj je makro fotografija ter najpogostejše motive te zvrsti fotografiranja. Nato so predstavljene osnove fotografije, ki jih moramo poznati, če želimo posneti dobre fotografije. V naslednjem poglavju so predstavljena dela Bogoslava Kalaša, Saše Vrabiča, Davida Hockneya, Lojzeta Logarja in Sergeja Kapusa. Zatem so opisani barvni kontrasti, od teh je zame najbolj pomemben toplo – hladni kontrast, katerega so morali učenci tudi upoštevati, ko so pri moji uri fotografirali. V diplomski nalogi je predstavljena tudi osnovna obdelava fotografij v programu Adobe Photoshop, ki je pomembna, če želimo dobre fotografije. V likovno pedagoškem delu je vključena moja učna priprava, ki sem jo potrebovala pri pouku. Sledi opis mojih ur ter dva primera fotografij, ki sta nastali med mojimi urami. V zadnjem poglavju diplomske naloge so primeri štirih mojih fotografij – originalov ter njihovih obdelav. Od tega so tri dela v toplo – hladnem kontrastu.

Language:Slovenian
Keywords:makro, barvni kontrasti, Adobe Photoshop
Work type:Bachelor thesis/paper (mb11)
Tipology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Year:2014
Publisher:[E. Žerjal]
Number of pages:VIII f., 35 str.
UDC:77:75(043.2)
COBISS.SI-ID:10224201 Link is opened in a new window
Views:1034
Downloads:189
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Secondary language

Language:English
Title:The role of photography in painting and artwork
Abstract:
The main subject of diploma work is macro photography. In diploma work we learn what macro photography is and the most common motives of this kind of photography technique. In the follow-up I write about some basic techiques that we need to know, if we want to make good macro photographies. In the next chapter I represent the work of three artist, Bogoslav Kalaš, Sašo Vrabič, David Hockney, Lojze Logar and Sergej Kapus. After that I describe some color contrasts. For me, the most important contrast is hot – cold contrast. This is also the contrast that had to be considered by students when I was teaching my class as part of practic work. In diploma work I also represent the basics of computer program Adobe Photoshop that I consider as an important part of creating good photography. art- pedagogical work includes my teaching preparation wich was needed when I was teaching the class. This is followed by description of my lectures and two examples of photographies, made during my practical work at school. In the last chapter of my diploma work I included four examples of my photographies – the originals and their processing. Three of wich are in hot – cold contrast.


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