Razred v popularnih televizijskih žanrih

Jontes, Dejan (author)

V članku bomo proučevali reprezentacije razreda v televizijskih zabavnih programih, pri čemer se bomo osredotočili na trenutno najbolj gledano situacijsko komedijo domače produkcije Lepo je biti sosed ter jo primerjali z nekaterimi drugimi televizijskimi serijami. Izhajamo iz predpostavke, da ima način, na katerega je razred medijsko okvirjen, pomembno vlogo pri dojemanju razrednosti in neenakosti pri gledalcih. Televizijski zabavni programi namreč ravno tako prispevajo k družbeni konstrukciji razreda ter k mitom in stereotipom o posameznih razredih. V članku se bomo še posebej osredotočili na premestitev razreda na druge kategorije, kot sta spol in narodnost, saj raziskovalci ugotavljajo, da je še posebej v situacijskih komedijah razred pogosto premeščen na druge označevalce razlik.

• Language: Slovenian
• Work type: Not categorized
• Typology: 1.01 - Original Scientific Article
• Organization: FDV - Faculty of Social Sciences
• Year: 2011
• Number of pages: Str. 968-981, 1075
• Numbering: Letn. 48, št. 4
• PID: 20.500.12556/RUL-23218
• UDC: 316.342.2:654.197(497.4)
• ISSN on article: 0040-3598
• COBISS.SI-ID: 30589533
• Publication date in RUL: 11.07.2014

Record is a part of a journal

• Title: Teorija in praksa : revija za družbena vprašanja
• Shortened title: Teor. praksa
• Publisher: Fakulteta za družbene vede
• ISSN: 0040-3598
• COBISS.SI-ID: 763652

Secondary language

• Language: English

Abstract

The paper deals with representations of class in television entertainment programmes and chiefly focuses on the locally produced situation comedy It's nice to be a neighbour. It starts with the assumption that the manner in which class is framed importantly contributes to the way audiences perceive the question of class and social inequality. Television entertainment programmes contribute significantly to the social construction of class and myths and stereotypes about certain classes. The paper also considers on the displacement of class discourse into other markers of difference such as discourses of gender and nationality which play an especially important role in situation comedies.