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Robbov vodnjak: med barokom in sedanjostjo
ID Fridl Jarc, Job (Author)

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Abstract
V prispevku najprej predstavimo Robbov vodnjak, od načrtov zanj in postavitve pa vse do današnjih dni. Pri tem najprej prikažemo okoliščine njegovega nastanka in predstavimo kiparja Francesca Robbo. V nadaljevanju poskušamo vodnjak ikonografsko umestiti, pri čemer izhajamo iz dveh glavnih tez. Bolj uveljavljena pravi, da gre za Vodnjak treh kranjskih rek in da tri figure na njem predstavljajo Savo, Ljubljanico in Krko. Druga teza je povezana z antičnim mitom o Argonavtih. V zaključku se osredotočamo na dojemanje Robbovega vodnjaka v 19. in 20. stoletju. Pri tem upoštevamo, kako sta na vodnjak gledala Jože Plečnik in Oton Župančič.

Language:Slovenian
Keywords:Robbov vodnjak, barok, Ljubljana, Argonavti, Kranjska, Francesco Robba
Typology:1.08 - Published Scientific Conference Contribution
Organization:FF - Faculty of Arts
Publication status:Published
Publication version:Version of Record
Year:2026
Number of pages:Str. 107-115
PID:20.500.12556/RUL-189093 This link opens in a new window
UDC:730Robba F.
DOI:10.4312/SSJLK.62.107-115 This link opens in a new window
COBISS.SI-ID:282451459 This link opens in a new window
Publication date in RUL:01.10.2026
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Downloads:19
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Record is a part of a monograph

Title:Voda v slovenskem jeziku, literaturi in kulturi : 62. seminar slovenskega jezika, literature in kulture
Editors:Urška Perenič
Place of publishing:Ljubljana
Publisher:Založba Univerze
Year:2026
ISBN:978-961-297-845-7
COBISS.SI-ID:279792899 This link opens in a new window
Collection title:Zbirka Seminar slovenskega jezika, literature in kulture
Collection numbering:62
Collection ISSN:2386-0561

Licences

License:CC BY-NC-SA 4.0, Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International
Link:http://creativecommons.org/licenses/by-nc-sa/4.0/
Description:A Creative Commons license that bans commercial use and requires the user to release any modified works under this license.

Secondary language

Language:English
Abstract:
This article starts by presenting the Robba Fountain, from its plans and construction to the present day. It first presents the circumstances of its creation and introduces the sculptor Francesco Robba. It then seeks to position the fountain iconographically, based on two main theses. The more established one says that it is the Fountain of the Three Carniolan Rivers and that the three figures on it represent the Sava, Ljubljanica, and Krka rivers. The second thesis is related to the classical myth of the Argonauts. The conclusion focuses on the perception of the Robba Fountain in the nineteenth and twentieth centuries. In doing so, it takes into account how Jože Plečnik and Oton Župančič viewed the fountain.

Keywords:Robba Fountain, baroque, Ljubljana, Argonauts, Carniola, Francesco Robba

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