Pomen glasbe v opusu sv. Hildegarde iz Bingna

Kren, Brina (author), Ciglenečki, Jan (mentor)

Diplomsko delo predstavlja glasbena dela sv. Hildegarde iz Bingna v kontekstu celote njenega opusa. Oriše splošno benediktinsko glasbeno prakso 12. stoletja in Hildegardin specifičen pogled na glasbo, kot se razkriva v njenih videnjih, pismih in drugih zapisih. Na koncu predlaga možnosti razumevanja glasbe in vloge skladatelja, ki jih odpira Hildegardin opus.

• Language: Slovenian
• Keywords: Sv. Hildegarda iz Bingna, glasba, videnje, benediktinska liturgija
• Work type: Bachelor thesis/paper
• Organization: FF - Faculty of Arts
• Year: 2026
• PID: 20.500.12556/RUL-188629
• Publication date in RUL: 25.09.2026

Secondary language

• Language: English
• Title: The Meaning of Music in the Opus of St. Hildegard of Bingen

Abstract

The thesis presents the musical works of St. Hildegard of Bingen in the context of her opus as a whole. It outlines the general Benedictine musical practices in the 12th century as well as Hildegard’s specific view of music, as revealed in her visions, letters, and other writings. On this basis, possible ways of understanding music and the role of a composer are proposed.

• Keywords: St. Hildegard of Bingen, music, vision, Benedictine liturgy