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Ženske, oblast in umetnost v dobi Bernwarda iz Hildesheima : zaključna seminarska naloga
ID Grum, Anja (Author), ID Kavčič, Nataša (Mentor) More about this mentor... This link opens in a new window, ID Mlinar, Janez (Mentor) More about this mentor... This link opens in a new window

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Abstract
Obdobje otonske dinastije je zaznamovalo utrjevanje cerkvene organizacije na območju Vzhodnofrankovskega kraljestva in njeno povezovanje z državnimi strukturami. Preplet struktur se jasno odraža v politiki, družbi in umetnosti tega časa. Hkrati je otonsko obdobje prineslo pomembne spremembe v položaju žensk. V političnem življenju in umetniškem naročništvu so pridobile vpliv, kakršnega v zgodnjem srednjem veku ne zasledimo. Preplet cerkve in politike ter spreminjajočo se vlogo ženske lahko prikažemo na primeru škofa, ki je bil v ta sistem tesno vpet. Škof Bernward iz Hildesheima je bil eden izmed najpomembnejših naročnikov preloma prvega tisočletja našega štetja. Njegova naročila predstavljajo vrhunec otonske umetnosti, vsebinsko pa izražajo sočasno versko vzdušje.

Language:Slovenian
Keywords:Otonska umetnost, Hildesheim, ženske, vera, oblast
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:FF - Faculty of Arts
Place of publishing:Ljubljana
Publisher:A. Grum
Year:2026
Number of pages:1 spletni vir (1 datoteka PDF (74 str.))
PID:20.500.12556/RUL-188262 This link opens in a new window
UDC:7:321.01"09/10"(043.2)
COBISS.SI-ID:292410371 This link opens in a new window
Publication date in RUL:20.09.2026
Views:92
Downloads:14
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Secondary language

Language:English
Title:Women, power and art in the age of Bernward of Hildesheim
Abstract:
The Ottonian period was a formative time for the Church in the East Frankish kingdom. It was characterized by a close relationship between ecclesiastical institutions and secular authority, a connection that is particularly evident in the art of the period. Another important aspect of this era was the changing position of women, who emerged as influential actors in both political and cultural life, which is reflected in contemporary sources and artistic commissions. These themes can be examined through the life and patronage of Bernward of Hildesheim, a figure deeply connected to the structures of the Ottonian world. Today he is remembered as one of the most significant artistic patrons of his time. His works represent the pinnacle of ottonian art, while the contents show the religious atmosphere of the time.

Keywords:Ottonian art, Hildesheim, women, religion, power

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