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Družbeno zavzeto modno in tekstilno oblikovanje v okviru kreativnega centra Sončnica
ID Okršlar, Marija (Author), ID Jenko, Marija (Mentor) More about this mentor... This link opens in a new window

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Abstract
Magistrsko delo se osredotoča na problematiko modne industrije, ki velja za eno izmed najbolj obremenjujočih za naš planet. Navaja okoljske in socialne probleme, ki jih industrija povzroča in poskuša celostno obravnavati ter iskati možnosti za pravičen prehod industrije v trajnostno delovanje. Preučuje nove poslovne modele in trajnostne pristope ter raziskuje vpliv modela krožne ekonomije na trajnostno modno in tekstilno oblikovanje. Hkrati raziskuje možnosti lokalne proizvodnje in oblikovanja izdelkov, ki temelji na transparentnosti do kupcev. Sprašuje se, ali imata modno in tekstilno oblikovanje v modernem času lahko drugačno družbeno vlogo: ali lahko služita kot sredstvo za povezovanje ljudi iz različnih skupnosti in pomagata k vključevanju marginalnih skupin, posameznikov iz socialno šibkejšega okolja in opolnomočita ljudi z motnjo v duševnem razvoju. Magistrsko delo postavlja teoretične in praktične temelje za ustanovitev lastnega podjetja – kreativnega centra Sončnica, ki pod vprašaj postavlja tradicionalne oblikovalske pristope. Zavrača točno določeno hierarhijo med kreativnim direktorjem, oblikovalci in izdelovalci. Zavzema se za prerazporeditev odločevalske moči in išče nove priložnosti za sodelovanje in ustvarjanje. Izšolani oblikovalci prevzamejo vlogo gostitelja in ustvarjalca prostora, kjer se lahko različne skupine srečajo, soustvarjajo in izobražujejo. Preko preučevanja dobrih praks in primerov išče navdihe za ustanovitev kreativnega centra in praktično preizkuša načine sooblikovanja tekstilno-oblačilne kolekcije z vključevanjem ranljivih skupin.

Language:Slovenian
Keywords:trajnostna moda, participativno oblikovanje, oblikovalec kot gostitelj, kreativni center, socialno podjetništvo, Earth Logic, tekstilne delavnice
Work type:Master's thesis/paper
Organization:NTF - Faculty of Natural Sciences and Engineering
Year:2026
PID:20.500.12556/RUL-187660 This link opens in a new window
Publication date in RUL:12.09.2026
Views:26
Downloads:15
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Secondary language

Language:English
Title:Socially Engaged Fashion and Textile Design within Creative Centre Sončnica
Abstract:
This master's thesis focuses on the challenges facing the fashion and textile industry, widely recognized as one of the world's most environmentally and socially impactful industries. It examines the environmental and social issues generated by the industry and seeks to address these challenges from a holistic perspective by exploring opportunities for a just transition towards more sustainable practices. The thesis investigates emerging business models and sustainable approaches, while examining the influence of the circular economy on sustainable fashion and textile design. Furthermore, it explores the potential of local production and product development based on transparency and accountability towards consumers. It questions whether fashion and textile design can assume a different social role in contemporary society, serving not only as a means of producing garments but also as a tool for connecting people from diverse communities and fostering the inclusion of marginalized groups, individuals from socially disadvantaged backgrounds, and people with intellectual disabilities. The thesis establishes both the theoretical and practical foundations for the creation of Creative Centre Sončnica (Sunflower), a social enterprise that challenges conventional design practices characterized by rigid hierarchies between creative directors, designers, and makers. Instead, it proposes a participatory design model that shifts creative agency and aspects of the production process towards vulnerable groups. Within this framework, professionally trained designers assume the role of facilitators, guiding creative processes and providing education rather than acting as the sole authors of the final products. The research investigates examples of best practice that have inspired the establishment of the centre and practically explores methods of co-designing a textile and fashion collection through workshops involving vulnerable groups. In doing so, it demonstrates how participatory design can contribute to more socially inclusive, environmentally responsible, and community-oriented approaches to fashion and textile production.

Keywords:sustainable fashion, participatory design, designer as host, creative centre, social entrepreneurship, Earth Logic, textile workshops

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