Details

Metamorfoza pod krinko
ID Kalan, Ajda (Author), ID Smrekar, Maja (Mentor) More about this mentor... This link opens in a new window, ID Frlic, Metod (Comentor)

.pdfPDF - Presentation file, Download (23,49 MB)
MD5: 471FA73C2C8F3BD8FE2B7944A06F5C95

Abstract
Metamorfoza pod krinko je kiparsko delo, ki upodablja žabo in prašiča, ki nosita maski drug drugega. Delo izhaja iz tradicije basni, ki s poosebljanjem živali odpira razmislek o človeku in družbi. Nošenje mask razkriva paradoks: v naravi živali kamuflažo in mimikrijo uporabljajo predvsem kot strategiji preživetja, medtem ko ljudje maskiranje uporabljamo tudi kot sredstvo družbenega spreminjanja, skrivanja in (pre)oblikovanja lastne podobe. To ločevanje poudarja temeljno razliko med vrstami, hkrati pa naslavlja človeško težnjo po oblikovanju identitete na podlagi zunanjega zaznavanja. S prikazom živali v tem nenaravnem dejanju prikrivanja skulpturi subtilno kritizirata človeško vedenje in nas spodbujata, da se vprašamo o svojem odnosu do pristnosti, družbenih pričakovanj in performativne narave identitete. Skulpturi druga drugi postavljata ogledalo. Ustvarjata dialog o identiteti, preobrazbi ter zapletenih odnosih med živalmi in ljudmi. Delo izzove gledalce, da razmislijo tako o obsegu živalskega, kot tudi človeškega samozavedanja.

Language:Slovenian
Keywords:kiparstvo, basen, pripoved, maska, družba, žival, diplomska naloga
Work type:Bachelor thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2026
PID:20.500.12556/RUL-187546 This link opens in a new window
Publication date in RUL:11.09.2026
Views:93
Downloads:17
Metadata:XML DC-XML DC-RDF
:
Copy citation
Share:Bookmark and Share

Secondary language

Language:English
Title:Undercover metamorphosis
Abstract:
Undercover metamorphosis is a sculpture featuring a frog and a piglet: each is wearing the other’s mask. The work draws on the tradition of fables, which use anthropomorphized animals to prompt reflection on humanity and society. The wearing of masks presents a paradox: in nature, animals use camouflage or mimicry for survival, not for social acceptance or self-presentation, as humans do. This distinction highlights the fundamental difference between the species, while also reflecting on the human tendency to shape identity based on external perception. By depicting animals engaged in this unnatural act of concealment, the sculptures subtly critique human behavior and encourage us to question our own attitudes toward authenticity, social expectations, and the performative nature of identity. The sculptures hold up a mirror to one another. They create a dialogue about identity, transformation, and the complex relationships between animals and humans. The work challenges viewers to reflect on the extent of animal self-awareness as well as that of humans.

Keywords:sculpture, fable, story, mask, society, animal, BA thesis

Similar documents

Similar works from RUL:
Similar works from other Slovenian collections:

Back