Oblikovanje zaporedja slik v obliki tekstilnega stripa

Šoškič, Zala (author), Jenko, Marija (mentor)

Diplomsko delo raziskuje povezavo med abstraktnim stripom, tekstilnim oblikovanjem in prostorsko instalacijo. Teoretični del obravnava abstraktni strip, ki je služil kot teoretična podlaga za razumevanje sekvenčne pripovednosti v mojih izdelkih. Poglavje instalacijske umetnosti predstavlja pomembnost gledalca v instalaciji, kar se navezuje na to, kako gledalec z gibanjem okoli instalacije šele sestavi njeno celotno sekvenčno kompozicijo. Raziskovanje meditativne prakse tekstila mi je pomagalo razumeti pomirjajoči učinek tkanja. Študiji primera tekstilnoumetniške prakse Sheile Hicks in Louise Bourgeois sta me navdihnili za interpretacijo risb in tekstilnih vzorcev v umetniški knjigi. Raziskovala sem tudi izhodišče umetnostne smeri Anti-Form, ki je povezano z razumevanjem spreminjajoče se forme mojih konstrukcij. Praktični del izhaja iz intuitivnega digitalnega risanja, pri katerem je nastajanje potekalo tudi v gibanju vozila, katerega tresenje je soustvarjalo risarsko gesto. Nastale oblike so bile poustvarjene v ročno tkane tekstilne miniature. Tekstilne tvorbe spremlja umetniška knjiga, izvedena v tehniki japonske vezave, ki po principu stripovskih panelov in vmesnih premorov povezuje risbe in tekstilne vzorce v sekvenčno pripoved. Izbrani motivi so bili z digitalno strojno vezenino preneseni na tri tkanine različne gostote tkanja. Miniaturne tkanine so bile nato postavljene v štiri prostorske palične okvirje. Na statvah pa je bila stkana še samostojna, večja tkanina iz naravnih rastlinskih vlaken. Rezultat dela je prostorska instalacija, sestavljena iz štirih modulov in samostojne tkanine, ki raziskuje odnos med 3D geometrijskimi objekti in 2D organsko tekstilno formo. Prostorska postavitev vzpostavlja nove vizualne odnose med moduli ter jih povezuje v prostorsko sekvenčno kompozicijo, ki se navezuje na načela stripovskega pripovedovanja. Diplomsko delo kaže, da lahko prostorska razporeditev tekstilnih elementov prevzame vlogo sekvenčnega pripovedovanja, pri čemer tridimenzionalna instalacija razširi dvodimenzionalne elemente abstraktnega stripa v prostor.

• Language: Slovenian
• Keywords: tkanje, abstraktni strip, sekvenčnost, instalacija
• Work type: Bachelor thesis/paper
• Organization: NTF - Faculty of Natural Sciences and Engineering
• Year: 2026
• PID: 20.500.12556/RUL-187317
• Publication date in RUL: 10.09.2026

Secondary language

• Language: English
• Title: Designing sequence of images in form of textile comic

Abstract

This bachelor's thesis explores the relationship between abstract comics, textile design, and spatial installation. The theoretical section examines abstract comics, which served as the conceptual foundation for understanding sequential narration in my work. The chapter on installation art discusses the importance of the viewer within an installation, relating to how the viewer constructs its complete sequential composition only through movement around the installation. The investigation of the meditative practice of textiles helped me understand the calming effects of weaving. Case studies of the textile art practices of Sheila Hicks and Louise Bourgeois inspired my interpretation of drawings and textile patterns in the artist's book. I also examined the origins of the Anti-Form art movement, which informed my understanding of the changing forms of my constructions. The practical section is based on intuitive digital drawing, created while travelling in a moving vehicle, where the vibrations of the vehicle co-shaped the drawing gesture. The resulting forms were recreated as handwoven textile miniatures. These textile pieces are accompanied by an artist's book, produced using Japanese stab binding, which connects drawings and textile patterns into a sequential narrative through the principles of comic panels and the intervals between them. Selected motifs were transferred onto three fabrics of varying weave densities using digital machine embroidery. The miniature woven textiles were then installed within four spatial rod-frame structures. In addition, a larger, independent woven textile made from natural plant fibres was produced on the loom. The outcome of the project is a spatial installation composed of four modules and an independent textile piece, exploring the relationship between three-dimensional geometric objects and two-dimensional organic textile forms. The spatial arrangement establishes new visual relationships between the modules and connects them into a spatial sequential composition that draws on the principles of comic storytelling. The thesis demonstrates that the spatial arrangement of textile elements can assume the role of sequential narration, with the three-dimensional installation extending the two-dimensional elements of abstract comics into space.

• Keywords: weaving, abstract comics, sequential art, installation art