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Postmodernistično slikarstvo : David Salle
ID Tostovršnik, Zala (Author), ID Brumen-Čop, Andrej (Mentor) More about this mentor... This link opens in a new window

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Abstract
Postmodernizem je bil tesno povezan z uveljavitvijo postindustrijske družbe, razvojem tehnologije, oglaševanja in potrošništva. V umetnosti je postmodernizem začel zavračati načela modernizma. V ospredje je postavljal brisanje meja med visoko in množično kulturo – operiral je z izraznimi sredstvi medijev in oglaševanja. V umetnosti 80. let 20. stoletja je vladal pluralizem, kar pomeni, da ni bil uveljavljen le en »pravilen« slog, temveč so umetniki razpolagali s širokim naborom stilov, pristopov, medijev, tehnik in materialov. Med predstavnike postmodernističnega slikarstva sodi tudi ameriški umetnik David Salle. Za njegova dela sta značilna pastiche in eklektično kombiniranje med seboj nepovezanih podob, izvedenih v različnih slogih. Njegov nabor vizualnega jezika zajema tako črno-bele akte, izvedene po fotografijah, kot podobe iz oglaševanja, popkulture, risank in apropriacije historičnih del.

Language:Slovenian
Keywords:ameriški slikarji, ameriško slikarstvo, David Salle, postmodernizem, postmodernistično slikarstvo, pastiche, eklekticizem
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Place of publishing:Ljubljana
Publisher:Z. Tostovršnik
Year:2026
Number of pages:25 str.
PID:20.500.12556/RUL-186898 This link opens in a new window
UDC:75.071:7.038.6(043.2)
COBISS.SI-ID:290565379 This link opens in a new window
Publication date in RUL:06.09.2026
Views:147
Downloads:29
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Secondary language

Language:English
Title:Postmodern painting : David Salle
Abstract:
Postmodernism was closely linked to the emergence of postindustrial society, development of technology, advertisement and consumerism. Postmodernism in art began to reject the principles of modernism. It prioritized the blurring of boundaries between high and popular culture, operating through the means of media and advertising. The art of the 1980s was dominated by pluralism, meaning that no single "correct" style was established, instead, artists utilized a wide range of styles, approaches, media, techniques, and materials. Among the representatives of postmodern painting is the American artist David Salle. His work is characterized by pastiche and the eclectic combination of unrelated images executed in various styles. His visual vocabulary encompasses black-and-white nudes based on photographs, imagery from advertising, pop culture, cartoons, and the appropriation of historical works.

Keywords:David Salle, postmodernism, postmodern painting, pastiche, eclecticism

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