The subject of the thesis is the creation of a manifesto, with a focus on exploring the relationship between the print and film media. It is a manifesto, based on the content and form of Yugoslav New Cinema. I'll talk about the genre of the art manifesto and its beginnings, development, visual characteristics, and physical manifestations of this artistic tool. I'll also introduce the concept of Yugoslav new or black cinema. In the practical part, I combine the research starting points into the final product — a manifesto, a contextual and visual response to the set film basis, the film Early Works by director Želimir Žilnik. I present its content and the entire design process, which was based on the process of translating and connecting two media. With the visuals, I drew on both the typical visual elements of manifestos and the visual history of Yugoslav New Cinema.
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