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Oblikovanje kolekcije oblačil Vse, kar sem kadarkoli imela rada
ID Pregelj, Sandra (Author), ID Fajt, Elena (Mentor) More about this mentor... This link opens in a new window, ID Valenci, Sara (Comentor)

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Abstract
V diplomskem delu Oblikovanje kolekcije oblačil Vse, kar sem kadarkoli imela rada, so prikazani človekovi osebni strahovi in občutki, ki se jih posameznik pogosto sramuje. Cilj dela je bil razviti in izdelati avtorsko kolekcijo oblačil petih silhuet, v kateri so vizualizirani negativni obutki in strahovi. V teoretičnem delu so vključeni teoretično raziskovanje področij mode kot čustvenega izražanja, psihologija strahu, ranljivosti in nostalgije ter analiza minimalizma v modi, predvsem moda blagovnih znamk Prada in Helmut Lang, Issey Miyake, Céline, Calvin Klein in Jil Sander. V eksperimentalnem delu so opisani raziskovanje, razvoj in izdelava avtorske kolekcije. Opisani in razloženi so uporabljeni materiali, vzorci in silhuete. Rezultat diplomskega dela je kolekcija oblačil z naslovom Vse, kar sem kadarkoli imela rada, ki skozi minimalistične silhuete in premišljene manipulacije materialov prikazuje negativne občutke, strahove in čustveno ranljivost.

Language:Slovenian
Keywords:strah, občutki, minimalizem, kolekcija oblačil, nepopolnosti
Work type:Bachelor thesis/paper
Organization:NTF - Faculty of Natural Sciences and Engineering
Year:2026
PID:20.500.12556/RUL-186713 This link opens in a new window
Publication date in RUL:04.09.2026
Views:103
Downloads:17
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Secondary language

Language:English
Title:Designing Clothing Collection Everything I Have Ever Loved
Abstract:
The thesis Designing a Clothing Collection Everything I Have Ever Loved presents an exploration of personal fears and emotions that individuals frequently experience yet often feel compelled to conceal. The aim of the project was to develop and produce an original clothing collection of five silhouettes that give visual form to negative feelings and fears. The theoretical section encompasses research into fashion as a medium of emotional expression, the psychology of fear, vulnerability, and nostalgia, as well as an analysis of minimalism fashion with particular focus on the work of Prada, Helmut Lang, Issey Miyake, Céline, Calvin Klein and Jil Sander. The experimental section details the research process, development, and production of the original collection, including a thorough description and explanation of the materials, patterns, and silhouettes employed. The outcome of the thesis is a clothing collection titled Everything I Have Ever Loved, which, through minimalist silhouettes and considered material manipulation, gives form to negative emotions, personal fears, and emotional vulnerability.

Keywords:fear, emotions, minimalism, a clothing collection, imperfections

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