Med vilo Rafut in Rafutskim parkom: zgodovina varovanja spomeniške enote : zaključna seminarska naloga

Bratina, Tina (author), Mahnič, Katja (mentor)

Osrednja tema zaključne naloge je obravnava vile Rafut (1909−1914) na Pristavi pri Novi Gorici, ki je delo goriškega arhitekta Antona Laščaka (Antonia Lasciaca), v odnosu do pripadajočega parka v kontekstu spomeniškega varstva. Vila je v tuji strokovni literaturi visoko ovrednotena zaradi slogovnih novosti, zaradi katerih je Laščak v tujini najbolje poznan − predstavlja namreč enega od pionirjev neoislamskega sloga 20. stoletja v Egiptu. Pregled zgodovine varovanja spomenika dokazuje, da vila v preteklosti ni bila deležna ustrezne obravnave. Medtem ko je bila po nacionalizaciji skoraj polovico stoletja v rokah okrožnega Higienskega zavoda, je bil parkovni del zavarovan kot naravna vrednota. Do sprememb je prišlo šele leta 2003, ko sta bila vila in park zopet združena v enovito celoto in zavarovana kot kulturni spomenik lokalnega pomena. Nesorazmerno vrednotenje obeh delov spomeniškega kompleksa se še danes odraža v veljavnem odloku, v katerem je spomeniška enota imenovana kot »Rafutski park z vilo«.

• Language: Slovenian
• Keywords: Anton Laščak, vila Rafut, Rafutski park z vilo, spomeniško varstvo
• Work type: Bachelor thesis/paper
• Typology: 2.11 - Undergraduate Thesis
• Organization: FF - Faculty of Arts
• Place of publishing: Nova Gorica
• Publisher: T. Bratina
• Year: 2026
• Number of pages: 36 f.
• PID: 20.500.12556/RUL-184116
• UDC: 719:728.84(043.2)
• COBISS.SI-ID: 284080643
• Publication date in RUL: 29.06.2026

Secondary language

• Language: English
• Title: Between Villa Rafut and Rafut park: monument’s protection history

Abstract

The main topic of the present thesis is the Rafut villa (1909–1914), situated at Pristava in Nova Gorica and designed by a Gorizian architect Anton Laščak (Antonio Lasciac), and its relation to the surrounding park area from the point of view of heritage protection. Villa Rafut is highly regarded in foreign scientific literature especially because of the many stylistic novelties. It is these novelties that Laščak is best known for and is recognised as one of the pioneers of the new neo-Islamic style which arose in Egypt in the 1920s. An overview of the monument’s protection history proves that the Rafut villa was not discussed properly in the past. After nationalisation, the villa housed the district’s Hygienic Institute, while the area that encompasses the park was listed as natural heritage. Only in 2003 were the Rafut villa and the park once again united as an integral whole and listed as cultural heritage on a local level. The disproportionate valuation of both parts of the complex monument can still be observed in the current decree, in which the heritage unit is called “the Rafut park with the villa”.

• Keywords: Anton Laščak, Villa Rafut, the Rafut park with the villa, cultural heritage protection