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Dvojni pristop Od svinčnika do piksla k animaciji
ID Cvetanoska, Anastasija (Author), ID Iskra, Andrej (Mentor) More about this mentor... This link opens in a new window

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Abstract
Animacija je doživela pomembno preobrazbo iz tradicionalnih ročno risanih tehnik v napredne digitalne metode, ki oblikujejo način oživljanja zgodb. Medtem ko se je tradicionalna animacija opirala na risanje po sličicah in fizične materiale, so bile z digitalno animacijo ponujene nove možnosti in poteki dela, ki so povečali učinkovitost in ustvarjalne možnosti. Pojavljala so se vprašanja, ali lahko tradicionalna animacija preživi v sodobnem svetu? Je digitalna animacija v celoti nadomestila tradicionalne metode ali še vedno sobivajo v sodobni animacijski produkciji? V diplomski nalogi so bile raziskovane razlike med tradicionalno in digitalno animacijo ter njun vpliv na animacijske tehnike, potek dela in umetniški slog. Cilj naloge je bil analizirati prehod s tradicionalnih na digitalne metode in oceniti, kako so tehnološki napredki oblikovali industrijo animacije. Izvedena je bila primerjalna analiza za oceno umetniških in tehničnih prednosti ter omejitev vsake metode. Poleg tega je bil proučen vpliv digitalnih orodij na ustvarjalnost, dostopnost in učinkovitost animacijske produkcije. Za podporo tej analizi je bil v diplomsko nalogo vključen tudi praktični del, v katerem je bila ista kratka animacija ustvarjena s tradicionalnimi in digitalnimi tehnikami. S tem praktičnim pristopom je bil omogočen neposreden vpogled v izzive, prednosti in edinstvene značilnosti vsake metode ter poglobljeno razumevanje njunega sobivanja v sodobni industriji. S končno primerjavo je bilo ugotovljeno, ali je bila digitalna animacija popolnoma uporabljena namesto tradicionalnih tehnik oziroma ali so te še vedno ohranile svojo vrednost.

Language:Slovenian
Keywords:tradicionalna animacija, digitalna animacija, tehnike, ustvarjalnost, orodja, risanje.
Work type:Bachelor thesis/paper
Organization:NTF - Faculty of Natural Sciences and Engineering
Year:2026
PID:20.500.12556/RUL-183814 This link opens in a new window
Publication date in RUL:19.06.2026
Views:197
Downloads:259
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Secondary language

Language:English
Title:Dual approach From pencil to pixel to animation
Abstract:
Animation has undergone a significant transformation, evolving from traditional hand-drawn techniques to advanced digital methods that redefine the way stories are brought to life. While traditional animation relied on frame-by-frame drawing and physical materials, digital animation introduced new tools and workflows that enhance efficiency and expand creative possibilities. Important questions were raised regarding whether traditional animation could survive in the modern world and whether digital animation had fully replaced traditional methods or if both still coexisted in contemporary animation production. In this thesis, the differences between traditional and digital animation were explored, and their impact on animation techniques, workflows, and artistic styles was examined. The objective of the thesis was to analyze the transition from traditional to digital methods and to evaluate how technological advancements had shaped the animation industry. A comparative analysis was conducted to assess the artistic and technical advantages and limitations of each method. Furthermore, the influence of digital tools on creativity, accessibility, and production efficiency was examined. To support this analysis, a practical component was included in the thesis in which the same short animation was created using both traditional and digital techniques. Through this hands-on approach, direct insight into the challenges, benefits, and unique characteristics of each method was provided, and a deeper understanding of their coexistence in the modern industry was achieved. The final comparison helped determine whether digital animation had entirely replaced traditional techniques or whether the latter still retained value.

Keywords:traditional animation, digital animation, techniques, creativity, tools, drawing

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