Narisati genocid : izrazne zmožnosti dokumentarnega stripa

Rems, Matevž (author)

Pričujoči članek raziskuje dokumentarno snov v kontekstu stripovske umetnosti in je razdeljen na dva dela. Prvi del sestavljata celostna analiza izraznih zmožnosti in omejitev stripovskega izraza ter razčlemba izraznih sredstev, ki ga sestavljajo, pri čemer pa se delo posebej posveti soodvisnosti teh sredstev. Prvi del je zato podlaga za primerjavo dokumentarnih vsebin v fotografiji in stripovski risbi, ki sestavlja drugi del te naloge. Skozi primerjavo postane razvidno, kako je tudi fotografija podvržena kontekstu, v katerem se znajde, in kako se pristnost v obeh medijih kaže v povezavi s podajanjem dokumentarnih vsebin.

• Language: Slovenian
• Keywords: strip, risba, fotografija, mímesis, dokumentarnost, dokumentarna fotografija
• Work type: Article
• Typology: 1.01 - Original Scientific Article
• Organization: FDV - Faculty of Social Sciences
• Publication status: Published
• Publication version: Version of Record
• Publication date: 24.04.2026
• Year: 2026
• Number of pages: Str. 121-132
• Numbering: Letn. 63, št. 1
• PID: 20.500.12556/RUL-183561
• UDC: 741.52:77.03
• ISSN on article: 0040-3598
• DOI: 10.51936/tip.63.1.121
• COBISS.SI-ID: 276938243
• Publication date in RUL: 15.06.2026

Record is a part of a journal

• Title: Teorija in praksa : revija za družbena vprašanja
• Shortened title: Teor. praksa
• Publisher: Fakulteta za družbene vede
• ISSN: 0040-3598
• COBISS.SI-ID: 763652

Licences

• License: CC BY 4.0, Creative Commons Attribution 4.0 International
• Link: http://creativecommons.org/licenses/by/4.0/
• Description: This is the standard Creative Commons license that gives others maximum freedom to do what they want with the work as long as they credit the author.

Secondary language

• Language: English
• Title: Drawing genocide

Abstract

The article explores documentary material in the context of comic art and is divided into two parts. The first part presents comprehensive analysis of the expressive capacities and limitations of comic art, along with its constitutive elements, with close attention to their interdependence. The first part therefore establishes a basis for comparing the representation of documentary content in photography and comic art, which forms the focus of the second part of the article. Through this comparison, the study reveals how photography, too, is shaped by its contextual framing and explores where authenticity lies in both media in relation to the presenting of documentary material.

• Keywords: comics, drawing, photography, mimesis, documentary, documentary photography