Your browser does not allow JavaScript!
JavaScript is necessary for the proper functioning of this website. Please enable JavaScript or use a modern browser.
Repository of the University of Ljubljana
Open Science Slovenia
Open Science
DiKUL
slv
|
eng
Search
Advanced
New in RUL
About RUL
In numbers
Help
Sign in
Details
"Uh, I'm a pretty sick guy" : the dialogue of American Psycho in fiction and film
ID
Čelhar, Aja
(
Author
),
ID
Kavalir, Monika
(
Author
)
PDF - Presentation file,
Download
(948,89 KB)
MD5: 856FD82BF790D8F7673B59822A4DC9AC
URL - Source URL, Visit
https://www.sciencedirect.com/science/article/pii/S0378216625001201
Image galllery
Abstract
This paper examines how dialogue in Bret Easton Ellis's novel American Psycho (1991) serves to project the identity of its controversial protagonist Patrick Bateman. A com- parison with the dialogue in Mary Harron's film adaptation (2000) further highlights the importance of dialogue for characterisation by analysing how changes in Bateman's conversational behaviour on screen result in a different interpretation of the character. A pragmastylistic analysis reveals that dialogues are characterised by a strong discrepancy between their form and their content. While Conversation Analysis exposes few irregu- larities in the turn-taking structure of the dialogues, a Gricean pragmatic analysis con- f irms the impression that the content of the dialogues is often vapid – the participants fail to establish a meaningful connection with one another through a cooperative exchange of information. Bateman tries to disrupt the vapid interaction by confessing ever more openly to his killing sprees in a desperate attempt to establish some genuine contact. However, as the dialogues maintain the semblance of conversation, his shocking con- fessions go completely unnoticed. A scene-based analysis of the film, complete with a multimodal transcript, provides an insight into how the reduction of Bateman's deviances significantly alters his characterisation.
Language:
English
Keywords:
characterisation
,
screen adaptation
,
conversation analysis
,
cooperative principle
,
criminal mind
,
telecinematic stylistics
,
Bret Easton Ellis
,
American Psycho
Work type:
Article
Typology:
1.01 - Original Scientific Article
Organization:
FF - Faculty of Arts
Publication status:
Published
Publication version:
Version of Record
Year:
2025
Number of pages:
Str. 1-18
Numbering:
Vol. 245
PID:
20.500.12556/RUL-181932
UDC:
81'38:[821.111(73).09-31:791.221.6]
ISSN on article:
0378-2166
DOI:
10.1016/j.pragma.2025.05.007
COBISS.SI-ID:
239277315
Publication date in RUL:
20.04.2026
Views:
320
Downloads:
207
Metadata:
Cite this work
Plain text
BibTeX
EndNote XML
EndNote/Refer
RIS
ABNT
ACM Ref
AMA
APA
Chicago 17th Author-Date
Harvard
IEEE
ISO 690
MLA
Vancouver
:
Copy citation
Share:
Record is a part of a journal
Title:
Journal of pragmatics
Shortened title:
J. pragmat.
Publisher:
Elsevier
ISSN:
0378-2166
COBISS.SI-ID:
25783040
Licences
License:
CC BY-NC 4.0, Creative Commons Attribution-NonCommercial 4.0 International
Link:
http://creativecommons.org/licenses/by-nc/4.0/
Description:
A creative commons license that bans commercial use, but the users don’t have to license their derivative works on the same terms.
Secondary language
Language:
Slovenian
Keywords:
karakterizacija
,
filmska priredba
,
analiza pogovora
,
sodelovalno načelo
,
zločinski um
,
tele-kinematografska stilistika
,
Bret Easton Ellis
,
American Psycho
Projects
Funder:
ARIS - Slovenian Research and Innovation Agency
Project number:
P6-0218
Name:
Teoretične in aplikativne raziskave jezikov: kontrastivni, sinhroni in diahroni vidiki
Similar documents
Similar works from RUL:
Similar works from other Slovenian collections:
Back