Članek se posveča recepciji del H. C. Artmanna v poeziji Thomasa Klinga. Izhajajoč iz Klingovih esejev, išče razloge za Klingovo navezovanje na Artmanna. Ti so povezani s Klingovo kritiko poezije nove subjektivnosti (Neue Subjektivität), konkretne poezije in programa Skupine 47 (Gruppe 47). Primerjava Artmannove in Klingove rabe narečij ter navezovanja na literarne tradicije, zlasti na književnost baroka ter zbirke ljudskih pravljic, kaže, kako se Kling Artmannovi poetiki približuje in jo hkrati tudi širi oz. nadgrajuje.The article examines Thomas Kling’s reception of H. C. Artmann’s work. Taking Kling’s poetological essays as the starting point, it looks at Kling’s motives for connecting to Art-mann. These are to be seen in the context of his criticism of the poetry of ‘Neue Subjek-tivität’ (New Subjectivity), concrete poetry, and the programme of the ‘Gruppe 47’ (Group 47). A comparison of Artmann’s and Kling’s work with the dialect and with literary tra-ditions, in particular with the literature of the baroque and the collections of folk tales, shows not only how Kling connects to Artmann’s poetics, but also how he expands it.
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