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Steakhouse by Špela Čadež : intimate partner (psychological) abuse through tangible imagery and the act of resistance
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Krajnc, Maja
(
Author
)
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(2,79 MB)
MD5: F41D80DF92BFDDC6C462A340E733D819
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https://www.tandfonline.com/doi/full/10.1080/17411548.2025.2494923
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Abstract
This article examines Špela Čadež’s Steakhouse, a ten-minute animated short, as a formally inventive and politically resonant depiction of psychological abuse in intimate relationships. The film provides a nuanced and impactful portrayal of the cyclical nature of psychological abuse, exposing emotional entrapment through richly textured visual and auditory design. Employing analogue multiplane collage animation and haptic visuality, Steakhouse creates a tactile, immersive experience that evokes emotional suffocation, particularly through the key sequence of smoke. Drawing on Alain Bergala’s conception of cinema as art, it argues that the film’s aesthetic strategies function as a mode of authorship and critical engagement. Grounded in an interdisciplinary approach, it further incorporates Laura U. Marks’ concept of haptic visuality and Sara Ahmed’s notion of “everyday resistance” to explore how subtle gestures become feminist acts of refusal. Although not explicitly framed as a feminist work, Steakhouse critiques patriarchal dynamics embedded in domestic space and labour. Parallels with Agnés Varda’s Cléo from 5 to 7 underscore the role of spatial embodiment in the articulation of female subjectivity. Produced during the pandemic, Steakhouse foregrounds animation’s power to render invisible forms of violence perceptible and to provoke critical reflection through sensory engagement.
Language:
English
Keywords:
Špela Čadež
,
Steakhouse
,
psychological abuse
,
multiplane collage animation
,
haptic visuality
,
female subjectivity
,
Cléo from 5 to 7
Work type:
Article
Typology:
1.01 - Original Scientific Article
Organization:
AGRFT - Academy of Theatre, Radio, Film and Television
Publication status:
Published
Publication version:
Version of Record
Year:
2026
Number of pages:
Str. 54–71
Numbering:
Vol. 23, no. 1
PID:
20.500.12556/RUL-180878
UDC:
791.6
ISSN on article:
2040-0594
DOI:
10.1080/17411548.2025.2494923
COBISS.SI-ID:
240039683
Publication date in RUL:
18.03.2026
Views:
276
Downloads:
199
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Record is a part of a journal
Title:
Studies in European cinema
Publisher:
Taylor & Francis
ISSN:
2040-0594
COBISS.SI-ID:
525968921
Licences
License:
CC BY 4.0, Creative Commons Attribution 4.0 International
Link:
http://creativecommons.org/licenses/by/4.0/
Description:
This is the standard Creative Commons license that gives others maximum freedom to do what they want with the work as long as they credit the author.
Secondary language
Language:
Slovenian
Keywords:
Špela Čadež
,
Steakhouse
,
psihična zloraba
,
multiplanska kolažna animacijska tehnika
,
haptična vizualnost
,
ženska subjektivnost
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