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Prtljage : anatomija žalovanja
ID Filač, Gaja (Author), ID Zgonc, Tanja (Mentor) More about this mentor... This link opens in a new window

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Abstract
V svoji magistrski nalogi z naslovom Prtljage in podnaslovom Anatomija žalovanja raziskujem človekov odnos do preteklosti, spominov in žalovanja ter umetniški proces kot orodje za soočenje s travmo. Ukvarjam se s fazami žalovanja, jih pretvarjam v gib in kreiram umetniški produkt, ki ponazarja hojo čez to težko pot. S preteklostjo se ukvarjam tako iz vsebinskega vidika kot tudi iz vidika forme, scenografije, maske, kostumografije, giba, atmosfere kot tudi glasbe. Sprašujem se, ali obstaja rešitev, ali obstaja možnost izstopa iz tega začaranega kroga misli, hrepenenja, nezdravih vzorcev in prepričanj, ki jih s sabo prinese žalovanje oziroma prazna luknja, ki ostaja za tistimi, ki jih v naših življenjih ni več. Pri tem pa do samega konca gojim upanje, da je življenje močnejše od smrti. »[…] upanje je dobra stvar, morda najboljša med vsemi, in nobena dobra stvar nikoli ne umre.« (Kaznilnica odrešitve, 1994)

Language:Slovenian
Keywords:Spomini, preteklost, žalovanje, upanje, smrt, življenje, zaljubljanje
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:AGRFT - Academy of Theatre, Radio, Film and Television
Publication status:Published
Publication version:Version of Record
Place of publishing:Ljubljana
Publisher:[G. Filač]
Year:2026
Number of pages:65 f.
PID:20.500.12556/RUL-180533 This link opens in a new window
UDC:7.038.531
COBISS.SI-ID:292836867 This link opens in a new window
Publication date in RUL:11.03.2026
Views:315
Downloads:163
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Secondary language

Language:English
Title:Luggage : anatomy of grief
Abstract:
In my master’s thesis titled Luggage and the subtitle Anatomy of Grief, I explore the human relationship with the past, memories, and grief. I delve into all five stages of mourning, transform them into movement, and create an artistic product that illustrates the journey through this difficult path. I address the past not only from a thematic perspective, but also through form, scenography, makeup, costume design, movement, atmosphere, and music. I question whether there is a solution, whether there is a way out of this vicious cycle of thoughts, longing, unhealthy patterns, and beliefs that grief—or the empty hole left behind by those no longer present in our lives—carries with it. And yet, until the very end, I hold on to the hope that life is stronger than death. “[…] hope is a good thing, maybe the best of things, and no good thing ever dies.” (The Shawshank Redemption, 1994)

Keywords:memories, past, grief, hope, death, life, falling in love

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