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Prešernov kult v letih po drugi svetovni vojni
ID Smiljanić, Ivan (Author)

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Abstract
Številni politični režimi se v želji po legitimaciji svoje oblasti sklicujejo na kulturno izročilo, pri čemer pogosto prikrojijo sporočila v kanoniziranih delih in biografije znanih ustvarjalcev. Pojav je mogoče analizirati skozi odnos socialistične Jugoslavije do Franceta Prešerna. Pesnika so med drugo svetovno vojno partizani začeli predstavljati kot zgodnjega revolucionarja in preroka osvoboditve Slovencev. Podoba "partizanskega" pesnika je bila razširjena tudi v prvih povojnih letih, ko se je krepila skozi številne zapise, proslave in spominske projekte.

Language:Slovenian
Keywords:kulturni kult, spomeniki, javni spomin, Jugoslavija, France Prešeren
Work type:Article
Typology:1.16 - Independent Scientific Component Part or a Chapter in a Monograph
Organization:FF - Faculty of Arts
Publication status:Published
Publication version:Version of Record
Year:2023
Number of pages:Str. 35-41
PID:20.500.12556/RUL-179831 This link opens in a new window
UDC:930.85(497.4):821.163.6.09Prešeren F.
DOI:10.4312/Obdobja.42.35-41 This link opens in a new window
COBISS.SI-ID:172779011 This link opens in a new window
Publication date in RUL:25.02.2026
Views:104
Downloads:29
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Record is a part of a monograph

Title:Slovenska literatura in umetnost v družbenih kontekstih
Editors:Andraž Jež
Place of publishing:Ljubljana
Publisher:Založba Univerze
Year:2023
ISBN:978-961-297-200-4
COBISS.SI-ID:170574083 This link opens in a new window
Collection title:Zbirka Obdobja
Collection numbering:42
Collection ISSN:1408-211X

Secondary language

Language:English
Abstract:
In order to legitimize their power, many political regimes invoke cultural tradition, often tailoring the messages of canonized works and the biographies of famous artists. This phenomenon can be analyzed through the attitude of socialist Yugoslavia toward France Prešeren. During the Second World War, the Partisans began to portray the poet as an early revolutionary and a prophet of the liberation of the Slovenians. The image of the "Partisan" poet was also widespread in the first postwar years, when it was strengthened through numerous writings, celebrations, and memorial projects.

Keywords:cultural cult, monuments, public memory, Yugoslavia, France Prešeren

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