Eksotika avantgarde

Jelesijević, Nenad (author)

Izhajamo iz razumevanja pojmov centra in periferije kot simbioze, pri čemer se dotaknemo shizoidnega razumevanja avtonomnosti v polju umetnosti ter izpostavimo njegovo vpetost v globalistično kolonizacijsko operacijo. Ukvarjamo se z ideološko razliko med afirmacijo preteklosti (ki se uveljavlja z utrjevanjem pojmovne praznine »zgodovinske avantgarde«) in izvirnim izjavljanjem v sedanjosti – ustvarjalno prisotnostjo v skupnostnem kontekstu. Z osveščanjem te razlike se začne prepoznavanje narativa o avantgardi kot olepšave hegemonizma polja. Prisotnost, afirmirana v umetniškem početju, določa avantgardnost kot držo, ki je ni mogoče asimilirati. Podajamo definicijo avantgardnosti ter utemeljujemo naslednji aksiom: Avantgardnost ni stvar eksotike niti neki eksces v realnem, temveč je realno poetično v ekscesnosti biopolitičnega simulakra. Videli bomo, da avantgardnost pomeni doseženo in afirmirano neskončnost, ki jo je nemogoče razstaviti znotraj končnosti predstavitvenih formatov. Sklenemo s tezo, da je bistvo estetike avantgardnosti v nenehnem izumljanju poetične definicije lastnega smisla, zmeraj povezane s strukturnostmi situacij, v katerih ta smisel vznika.

• Language: Slovenian
• Keywords: situacija, premestitev, izven, polje, inverzija, Nemogoče, poezija, faktično
• Work type: Article
• Typology: 1.01 - Original Scientific Article
• Organization: AGRFT - Academy of Theatre, Radio, Film and Television
• Publication status: Published
• Publication version: Version of Record
• Publication date: 01.01.2025
• Year: 2025
• Number of pages: Str. 350-366
• Numbering: Let. 13, št. 1
• PID: 20.500.12556/RUL-179015
• UDC: 7.037
• ISSN on article: 1855-4539
• DOI: 10.51937/Amfiteater-2025-1/350-366
• COBISS.SI-ID: 240547075
• Publication date in RUL: 03.02.2026

Record is a part of a journal

• Title: Amfiteater : revija za teorijo scenskih umetnosti
• Publisher: Akademija za gledališče, radio, film in televizijo, Društvo gledaliških kritikov in teatrologov Slovenije, Akademija za gledališče, radio, film in televizijo, Društvo gledaliških kritikov in teatrologov Slovenije, Akademija za gledališče, radio, film in televizijo, Slovenski gledališki inštitut, Slovenski gledališki inštitut, = Slovenian Theatre Institute, Založba Univerze v Ljubljani, = University of Ljubljana Press
• ISSN: 1855-4539
• COBISS.SI-ID: 239685632

Licences

• License: CC BY-NC 4.0, Creative Commons Attribution-NonCommercial 4.0 International
• Link: http://creativecommons.org/licenses/by-nc/4.0/
• Description: A creative commons license that bans commercial use, but the users don’t have to license their derivative works on the same terms.

Secondary language

• Language: English
• Title: The avant-garde exotics

Abstract

The article starts from the understanding of the concepts of the centre and the periphery as a symbiosis, touching on the schizoid understanding of autonomy in the field of art and highlighting its involvement in globalist colonisation operations. It deals with the ideological difference between the affirmation of the past (which is asserted by consolidating the conceptual emptiness of the “historical avant-garde”) and the declaration in the present – a creative presence in a community context. With the awareness of this difference, the recognition of the avant-garde narrative as an embellishment of the hegemonism of the field begins. The presence affirmed in an artistic act defines avant-gardeness as an attitude that cannot be assimilated. The author defines avant-gardeness and substantiates the following axiom: Avant-gardeness is not a matter of exoticism nor an excess in the real. It is the real-poetic in the excess state of the biopolitical simulacrum. He aims to show that avant-gardeness implies an achieved and affirmed Infinity that is impossible to be exhibited within the finiteness of presentation formats. The article concludes with the thesis that the essence of the aesthetics of avant-gardeness lies in the constant invention of a poetic definition of its own meaning, always related to the structuralities of the situations in which this meaning arises.

• Keywords: situation, displacement, outer, field, inversion, impossible, poetry, factual