Details

Emotional impact of AI-generated vs. human-composed music in audiovisual media : a biometric and self-report study
ID Fišer, Nikolaj (Author), ID Martín-Pascual, Miguel Ángel (Author), ID Andreu-Sánchez, Celia (Author)

.pdfPDF - Presentation file, Download (903,65 KB)
MD5: D1A0D7E5DB85373C03B670ED03AA78A4
URLURL - Source URL, Visit https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0326498 This link opens in a new window

Abstract
Generative artificial intelligence (AI) has evolved rapidly, sparking debates about its impact on the visual and sonic arts. Despite its growing integration into creative industries, public opinion remains sceptical, viewing creativity as uniquely human. In music production, AI tools are advancing, yet emotional expression remains largely overlooked in development and research. This study examined whether AI-powered music creation can evoke the same emotional impact as human-created music in audiovisual contexts. Participants (N=88) watched videos accompanied by different audio tracks across three conditions: human-created music (HCM), AI-generated music using more sophisticated and detailed keyword prompts (AI-KP) and AIgenerated music using simpler and less detailed prompts based on discrete and dimensional emotional values (AI-DP). Biometric data and personal affective responses were registered during this process. The results show that both AI soundtracks led to wider pupil dilation compared with human-created music but did not differ significantly from each other. AI-generated music with sophisticated prompts (AI-KP) resulted in a higher blink rate and skin impedance level as markers of attention and cognitive load, while emotional valence remained consistent across conditions. Participants found AI-generated music more arousing that HCM, while HCM was perceived as more familiar than both AI conditions.

Language:English
Keywords:emotions, music perception, vision, music cognition, afrificial intelligence, biometrics, pupil, sensory perception
Typology:1.01 - Original Scientific Article
Organization:FF - Faculty of Arts
Publication status:Published
Publication version:Version of Record
Publication date:25.06.2025
Year:2023
Number of pages:Str. 1-17
Numbering:[Vol.] 20, [iss.] 6, [article no.] e0326498
PID:20.500.12556/RUL-177843 This link opens in a new window
UDC:[004.8:78]:159.91
ISSN on article:1932-6203
DOI:10.1371/journal.pone.0326498 This link opens in a new window
COBISS.SI-ID:264111363 This link opens in a new window
Publication date in RUL:09.01.2026
Views:750
Downloads:153
Metadata:XML DC-XML DC-RDF
:
Copy citation
Share:Bookmark and Share

Record is a part of a journal

Title:PloS one
Publisher:Public Library of Science
ISSN:1932-6203
COBISS.SI-ID:2005896 This link opens in a new window

Licences

License:CC BY 4.0, Creative Commons Attribution 4.0 International
Link:http://creativecommons.org/licenses/by/4.0/
Description:This is the standard Creative Commons license that gives others maximum freedom to do what they want with the work as long as they credit the author.

Secondary language

Language:Slovenian
Keywords:umetna inteligenca, glasba, zaznavanje glasbe, merjenje očesne aktivnosti, avdiovizualne vsebine, čustveni odzivi, biometrija

Similar documents

Similar works from RUL:
Similar works from other Slovenian collections:

Back