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Mak za Maka: Postopki dela in razvoj avtorskega projekta
ID Tepšić, Mak (Author), ID Jordan, Branko (Mentor) More about this mentor... This link opens in a new window

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Abstract
V magistrski nalogi obravnavam svoj ustvarjalni proces pri avtorskem projektu Mak za Maka, ki je nastal v času študija na Drugostopenjskem magistrskem študijskem programu Dramska igra, smer Dramska igra v študijskem letu 2024/2025. Za izhodišče projekta sem izbral pesniško zbirko Kamniti spalec Maka Dizdarja, ki jo umeščam v zgodovinski kontekst srednjeveške Bosne in Hercegovine ter povezujem s temo iskanja identitete. Naloga obravnava metodologijo dela in proces nastajanja zaključne produkcije, pri čemer se osredotoča na showinge, pregledne procesne vaje v posameznih etapah ustvarjalnega procesa, ustvarjalne izzive in refleksijo ob prejetem odzivu. Temeljno teoretično izhodišče predstavlja snovalno gledališče, ki ga primerjam s praktičnim delom ter razmišljam o njegovem pomenu pri lastnem procesu. Naloga obravnava tudi pojme avtofikcije ter dokumentarnega in multimedijskega gledališča.

Language:Slovenian
Keywords:Mak Dizdar, snovalno gledališče, procesno igralsko delo, showing, identiteta, avtofikcija, multimedijsko gledališče
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:AGRFT - Academy of Theatre, Radio, Film and Television
Publication status:Published
Publication version:Version of Record
Year:2025
PID:20.500.12556/RUL-175158 This link opens in a new window
COBISS.SI-ID:260222467 This link opens in a new window
Publication date in RUL:18.10.2025
Views:564
Downloads:194
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Secondary language

Language:English
Title:Mak for Mak: Work methods and development of an original project
Abstract:
In my master’s thesis, I explore my creative process in the project Mak for Mak, which was developed during my studies in the Master’s Programme in Acting, in the academic year 2024/2025. The project is based on the collection of poetry The Stone Sleeper by Mak Dizdar, which I contextualize within the historical context of medieval Bosnia and Herzegovina and connect with the theme of searching for identity. The thesis discusses the working methodology and the process of creating the final production, focusing on showings, process-oriented rehearsals in individual stages of the creative process, creative challenges, and reflection on the received feedback. The fundamental theoretical framework is devised theatre, which I compare with the practical work while reflecting on its significance for my own process. The thesis also addresses the concepts of autofiction, documentary theatre, and multimedia theatre.

Keywords:Mak Dizdar, devised theatre, actors process, identity, showing, autofiction, multimedia theatre

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