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Najbolj prepoznavni evropski pozavnisti po 1. svetovni vojni : magistrska naloga
ID Vlašič, Lan (Author), ID Kranjc, Dušan (Mentor) More about this mentor... This link opens in a new window

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Abstract
Magistrska naloga z naslovom Najbolj prepoznavni evropski pozavnisti po 1. svetovni vojni obravnava razvoj pozavne kot glasbenega inštrumenta ter ključne osebnosti, ki so oblikovale njeno izvajalsko in pedagoško tradicijo v Evropi po letu 1918. Avtor skozi zgodovinski, tehnični in umetniški kontekst predstavi vplive vojne na glasbeno produkcijo in institucionalizacijo poučevanja pozavne. Poseben poudarek je namenjen najpomembnejšim evropskim pozavnistom tega obdobja, kot so André Lafosse, Vladislav Blaževič, Denis Wick, Branimir Slokar, Michel Becquet, Christian Lindberg in Jacques Mauger. Predstavljena so njihova življenja, glasbene poti, diskografija, pedagoško delo in inovacije na področju izdelave pozavn ter njihove metode poučevanja. Poleg analize razvoja inštrumenta naloga preučuje tudi širši vpliv pozavne v komorni, orkestrski in jazzovski glasbi, tehnični napredek instrumenta, vpliv pedagoških metod in sodobnih izvajalskih praks. V posebnem poglavju je vključen tudi intervju z Branimirjem Slokarjem, ki osvetli osebne poglede enega vodilnih evropskih pozavnistov.

Language:Slovenian
Keywords:pozavna, evropski pozavnisti, razvoj instrumenta, 20. stoletje, pedagoški pristopi, magistrske naloge, magistrska dela
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:AG - Academy of Music
Place of publishing:Ljubljana
Publisher:L. Vlašič
Year:2025
Number of pages:26 str.
PID:20.500.12556/RUL-174257 This link opens in a new window
UDC:78.071.2(4)"19/20":780.646.2
COBISS.SI-ID:246783747 This link opens in a new window
Publication date in RUL:30.09.2025
Views:300
Downloads:61
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Secondary language

Language:English
Title:The most renowned European trombonists after World War I
Abstract:
The master’s thesis titled The Most Prominent European Trombonists after World War I explores the development of the trombone as a musical instrument and the key figures who shaped its performance and pedagogical traditions in Europe following 1918. The author presents the historical, technical, and artistic context, highlighting the impact of the war on musical production and the institutionalization of trombone education. Special emphasis is placed on the most influential European trombonists of this period, including André Lafosse, Vladislav Blazhevich, Denis Wick, Branimir Slokar, Michel Becquet, Christian Lindberg, and Jacques Mauger. Their lives, musical careers, discographies, pedagogical work, innovations in trombone design, and teaching methods are presented in detail. In addition to the analysis of the instrument’s development, the thesis examines the broader influence of the trombone in chamber, orchestral, and jazz music, technical advancements of the instrument, pedagogical methods, and modern performance practices. A special chapter features an interview with Branimir Slokar, offering a personal perspective from one of Europe’s leading trombonists.

Keywords:trombone, European trombonists, instrument development, 20th century, pedagogical approaches, master's theses

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