Harmonsko oblikovna analiza Simfonije (št. 1) Maksimiljana Feguša : magistrska naloga

Bedekovič, Jernej (author), Veber, David (mentor)

V magistrski nalogi je predstavljena harmonska in oblikovna analiza Simfonije (Št. 1) Maksimiljana Feguša. Obravnavan je Fegušev kompozicijski pristop pri pisanju skladbe. Predstavljeno je osnovno zaporedje tonov, iz katerega je Feguš z ritmično in melodično obdelavo zgradil vse teme, tematske materiale, motive in kontrapunkte v simfoniji. Izpostavljena je analiza oblike simfonije in Fegušev osebni pristop pri oblikovanju celotne simfonije kot sonatni stavek.

• Language: Slovenian
• Keywords: nemški skladatelji, Der Schwanendreher, glasbene analize, uporabna glasba, ustvarjalen avtorski odziv, koncerti za violo in orkester, magistrske naloge, magistrska dela
• Work type: Master's thesis/paper
• Typology: 2.09 - Master's Thesis
• Organization: AG - Academy of Music
• Place of publishing: Ljubljana
• Publisher: J. Bedekovič
• Year: 2025
• Number of pages: 23 str.
• PID: 20.500.12556/RUL-173450
• UDC: 785.11Feguš M.:781
• COBISS.SI-ID: 246726147
• Publication date in RUL: 17.09.2025

Secondary language

• Language: English
• Title: Harmonic and formal analysis of Symphony (No. 1) by Maksimilijan Feguš

Abstract

The master's thesis presents a harmonic and formal analysis of Symphony (No. 1) by Maksimilijan Feguš. The focus is on Feguš's compositional approach in writing the piece. It introduces the basic tone sequence from which Feguš, through rhythmic and melodic development, constructed all the themes, thematic materials, motifs, and counterpoints in the symphony. The analysis highlights the symphony’s form and Feguš’s personal approach to shaping the entire symphony as a sonata movement.

• Keywords: Symphony, harmonic analysis, musical analysis, compositional approach, formal analysis, monothematic form, modality, master's theses