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Uvajanje mladih tolkalcev v orkester : magistrska naloga
ID Poljanec, Luka (Author), ID Klavžar, Simon (Mentor) More about this mentor... This link opens in a new window, ID Zupan, Andrej (Comentor)

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Abstract
Orkester je z vidika človeške narave predvsem združba več posameznikov, ki skozi izvajanje glasbenih del sodelujejo, se spoznavajo in uživajo. Od orkestrov v nižji glasbeni šoli, profesionalnih orkestrov na visokem nivoju pa vse do godb na pihala, ki navsezadnje povezujejo mnoge generacije; povsod se kaže podobna skupinska odnosna struktura. Že pri najmlajših orkestrskih glasbenikih, ki se vklju čijo v šolske orkestre v četrtem razredu glasbene šole, igra pomembno motivacijsko vlogo prav interakcija z vrstniki. Starostna skupina od dvanajst do petnajst let, ki običajno sovpada z vključitvijo v šolski orkester, pripisuje pomembno vlogo iskanju prijateljskega stika ter vzpostavitvi lastnega mesta v družbi zunaj družine; seveda pa je za kvalitetno motivacijsko in sproščeno klimo odgovoren tudi vodja orkestra – dirigent. Posledično je uvajanje mladih glasbenikov v orkester za razliko od individualnega pouka po tej plati enostavnejše. V slovenskih izobraževalnih ustanovah deluje dobra mreža šolskih orkestrov – tolkalci so vključeni predvsem v pihalne ter simfonične orkestre. Način uvajanja v orkester se na nižji stopnji močno razlikuje od načina, ki je prisoten v sosednjih državah, saj je le pri nas ter na Hrvaškem vzpostavljeno javno glasbeno šolstvo. Na srednješolski ter kasneje na višji stopnji se načini bolj poenotijo, ponekod z nekoliko bolj orkestrsko usmerjenimi programi ter profesorji kot pri nas. Predvsem uvajanje študentov tolkal v profesionalne orkestre je marsikje veliko bolj razvito, še posebej so razvite tako imenovane orkestrske akademije, ki pa so resda zunajšolski programi, vodeni s strani profesionalnih orkestrov. Mnogi tolkalci se vzporedno z glasbenim izobraževanjem vključujejo tudi v godbe na pihala, ki jih v Sloveniji deluje več kot sto. V družabnem ter spodbudnem okolju pridobivajo orkestrske izkušnje, ki jim koristijo pri morebitnem resnejšem nadaljevanju glasbene poti. Nekateri se po končani nižji ali srednji stopnji glasbene izobrazbe odločijo za druge poklice, v godbah pa kljub temu še vedno sodelujejo, saj so poleg glasbenega ustvarjanja pomembno stičišče mnogih generacij, prostor za izmenjavo izkušenj med profesionalnimi in amaterskimi glasbeniki ter močna povezovalna točka lokalne skupnosti.

Language:Slovenian
Keywords:tolkala, orkester, tolkalci, uvajanje, motivacija, godba na pihala, magistrske naloge, magistrska dela
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:AG - Academy of Music
Place of publishing:Ljubljana
Publisher:L. Poljanec
Year:2025
Number of pages:24 str.
PID:20.500.12556/RUL-173448 This link opens in a new window
UDC:78.071.2:780.634:785.11
COBISS.SI-ID:246768387 This link opens in a new window
Publication date in RUL:17.09.2025
Views:162
Downloads:21
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Secondary language

Language:English
Title:Introducing young percussionists to the orchestra
Abstract:
From the perspective of human nature, an orchestra is primarily a group of several individuals who cooperate, get to know each other and enjoy themselves through the performance of musical works. From orchestras in a lower music school, to professional orchestras at a high level, all the way to marching bands, which ultimately connect many generations, a similar group relationship structure is evident everywhere. Even for the youngest orchestra musicians who join school orchestras in the fourth grade of music school, interaction with peers plays an important motivational role. The age group from twelve to fifteen years, which usually coincides with joining a school orchestra, attaches an important role to finding new acquaintances and establishing one's own place in society outside the family, and of course the leader of the orchestra - conductor is also responsible for a highquality motivational and relaxed climate. As a result, introducing young musicians to an orchestra is simpler in this respect, unlike individual lessons. There is a good network of school orchestras operating in Slovenian educational institutions, and percussionists are mainly involved in wind and symphony orchestras. The method of introduction to the orchestra at the lower level differs greatly from the method present in neighboring countries, since only in Slovenia and Croatia has public music education been established. At the secondary and later higher levels, the methods are more focused, in some places with slightly more orchestra-oriented programs and professors than in our country. In particular, the introduction of percussion students into professional orchestras is much more developed elsewhere, specifically the so-called orchestra academies, which are, however, extracurricular projects run by professional orchestras. Many percussionists also join marching bands in parallel with their musical education, of which there are more than a hundred in Slovenia. In a sociable and encouraging environment, they gain orchestral experience that is useful for them in a possible more serious continuation of their musical path. Some people decide to pursue other professions after completing their lower or secondary musical education, but they still participate in bands, because in addition to musical creation, they are an important meeting point for many generations, a place for the exchange of experiences between professional and amateur musicians, and a strong connecting point for the local community.

Keywords:percussion, orchestra, introducing, motivation, marching band, master's theses

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