This master’s thesis explores the diverse world of alternative and underground youth culture in Slovenia, with a particular focus on subcultures that emerge and thrive within Ljubljana’s club scene and the autonomous cultural centre Metelkova. Through the use of various public street interviews, an online survey, and a documentary film, this research offers a concise yet comprehensive insight into how Slovenian youth engage in alternative subcultures as a form of self-expression, resistance, and community building. The study also aims to present an overview of the types of subcultures found in Slovenia and how individuals within them express themselves.
The research further addresses the brief historical development of Slovenian youth subcultures, tracing their origins from the punk movement in the post-socialist era to contemporary youth culture in 2025. It places emphasis on how social, political, and economic transformations have
continuously shaped the identities and cultural practices of young people. I sought to uncover the complex spectrum of motivations for participating in subcultures, going beyond aesthetic appeal. Survey responses provided valuable insights — ranging from music, fashion, and visual styles to deeply rooted political, social, and emotional convictions. This complexity challenges the traditional view of subcultures as merely oppositional or ideological, instead highlighting their multifaceted nature. The central focus of this master’s thesis is the cultural milieu of Metelkova — a symbolic and physical space where various subcultures intersect and intertwine. The completed documentary brings this dynamic to life by presenting personal stories and vivid cultural moments that capture the atmosphere and spirit of this unique environment.
By combining interviews, survey data, and visual storytelling, this master’s thesis offers a broad yet cohesive perspective on alternative youth culture in Slovenia.
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