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Tehnična zasnova in optimizacija zvočne produkcije v kulinaričnem resničnostnem formatu
ID ŽELEZNIK, MATIC (Author), ID Burnik, Urban (Mentor) More about this mentor... This link opens in a new window

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Abstract
V tem dokumentu je predstavljena zvočna plat produkcije v kulinaričnem resničnostnem formatu bazirana na lastnih izkušnjah. Uvodoma predstavim kontekst resničnostnih oddaj s kulinarično vsebino, cilje naloge ter vlogo zvoka v njihovi produkciji. Sledi podroben pregled uporabljene opreme in snemalnih metod, primerjava in ovrednotenje posameznih načinov zajema zvoka in analiza snemalnega okolja. V nadaljevanju sledi opis tehničnih rešitev za zajem in obdelavo zvoka v konkretnem formatu, prilagoditve glede na prostor in reševanje tehničnih izzivov, nastalih tekom snemanja, vključno z akustičnimi prilagoditvami, RF motnjami in organizacijskimi rešitvami. V zadnjem delu naloge kvantitativno in kvalitativno ocenim učinkovitost, primerjam pristope med sezonami, analiziram lastno produkcijsko prakso ter zabeležim ključne ugotovitve in opažanja.

Language:Slovenian
Keywords:zvok, tehnologija, produkcija
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:FE - Faculty of Electrical Engineering
Year:2025
PID:20.500.12556/RUL-173345 This link opens in a new window
COBISS.SI-ID:249891075 This link opens in a new window
Publication date in RUL:16.09.2025
Views:153
Downloads:12
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Secondary language

Language:English
Title:Technical Design and Optimization of Sound Production in a Culinary Reality Format
Abstract:
This document presents the sound aspect of production in a culinary reality format, based on personal experience. The introduction outlines the context of culinary reality shows, the objectives of the task, and the role of sound in their production. This is followed by a detailed review of the equipment and recording methods used, a comparison and evaluation of different sound capture approaches, and an analysis of the recording environment. The next section describes technical solutions for capturing and processing sound in this specific format, adaptations to the space, and solutions to technical challenges encountered during filming, including acoustic adjustments, RF interference, and organizational solutions. In the final part, the effectiveness is assessed both quantitatively and qualitatively, approaches between seasons are compared, personal production practice is analyzed, and key findings and observations are recorded.

Keywords:sound, tehnology, production

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