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Čiščenje z geli na fragmentu poslikave v tehniki mastne tempere iz Lutrovske kleti v Sevnici
ID Klemenčič, Kristina (Author), ID Šeme, Blaž (Mentor) More about this mentor... This link opens in a new window, ID Mladenović, Ajda (Comentor)

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Abstract
Diplomsko delo obravnava Lutrovsko klet pri gradu Sevnica kot pomemben primer protestantske umetnosti, s poudarkom na konservatorsko-restavratorskem posegu na fragmentu z intervalno oznako A13. Poslikava vključuje močno protestantsko ikonografijo, tehnično pa kaže sledi več posegov. Osredotočila sem se na možnosti čiščenja z geliranimi vodnimi raztopinami, ki temeljijo na metodah Wolbersa in Cremonesija. Testiranja različnih vodnih sistemov so pokazala, da je barvna plast fragmenta občutljiva na nizek pH, zato je bila izbrana uporaba pufrov. Uporaba gelov se je izkazala kot manj primerna zaradi poroznosti površine in tveganja za razvoj plesni. Čiščenje z geli je bilo uspešno izvedeno na medaljonu Poletje iz Ljubljane, ki je bil vključen kot dodatni študijski primer. Delo združuje teoretični pregled in praktično uporabo sodobnih metod, s poudarkom na varnejših in selektivnejših pristopih. Ugotovitve prispevajo k razumevanju stanja ohranjenosti, identifikaciji materialov in možnosti nadaljnjega razvoja metod v konservatorsko-restavratorski praksi.

Language:Slovenian
Keywords:Konserviranje-restavriranje, čiščenje z geli, stenska poslikava, fragment, mastna tempera, Lutrovska klet, stensko slikarstvo, diplomska naloga.
Work type:Bachelor thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2025
PID:20.500.12556/RUL-173189 This link opens in a new window
Publication date in RUL:13.09.2025
Views:120
Downloads:17
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Secondary language

Language:English
Title:Cleaning with gels on a fragment of a painting in the oil tempera technique from the Lutheran Cellar in Sevnica
Abstract:
The thesis discusses the Lutrovska Cellar at Sevnica Castle as a significant example of Protestant art, focusing on the conservation-restoration intervention on fragment A13. The painting features strong Protestant iconography and shows evidence of multiple past interventions. The focus was on cleaning methods using water-based gels, based on the approaches of Wolbers and Cremonesi. Tests with various aqueous systems showed that the paint layer is sensitive to low pH, which led to the use of buffered solutions. Due to the surface’s porosity and risk of mold development, gels proved less suitable. Gel cleaning was successfully applied to the Summer medallion from Ljubljana, included as an additional case study. The thesis combines a theoretical overview with the practical application of modern methods, emphasizing safer and more selective approaches. The findings contribute to understanding the condition of preservation, material identification, and the potential further development of methods in conservation-restoration practice.

Keywords:Conservation-restoration, cleaning with gels, wall painting, fragment, oil tempera, Lutheran Cellar, wall painting, BA thesis

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