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Remigius Geyling in spominska cerkev sv. Duha v Javorci : diplomsko delo
ID Kraševec, Tinka (Author), ID Žerovc, Beti (Mentor) More about this mentor... This link opens in a new window, ID Valant, Miha (Comentor)

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Abstract
Diplomsko delo obravnava spominsko cerkev sv. Duha v Javorci in njenega avtorja, dunajskega scenografa Remigiusa Geylinga. Cerkev je bila zgrajena med prvo svetovno vojno na soški fronti na pobudo vojakov in v omejenih vojnih okoliščinah, obenem pa njene oblikovne prvine odražajo vpliv dunajske Secesije in Dunajskih delavnic. Naloga Geylingov umetniški razvoj umešča v družbeni in kulturni kontekst Dunaja na prelomu stoletja. Z analizo njegovega življenja, dela in sodelovanja z drugimi umetniki osvetljuje njegov pristop k zasnovi in notranji opremi cerkve ter raziskuje sorodnosti z drugo sakralno arhitekturo tistega časa.

Language:Slovenian
Keywords:Remigius Geyling, spominska cerkev sv. Duha, soška fronta, dunajska Secesija, Dunajske delavnice, sakralna arhitektura 20. stoletja.
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:FF - Faculty of Arts
Place of publishing:Ljubljana
Publisher:T. Kraševec
Year:2025
Number of pages:64 str.
PID:20.500.12556/RUL-172877 This link opens in a new window
UDC:726:27-523.4(497.4)(043.2)
COBISS.SI-ID:253267715 This link opens in a new window
Publication date in RUL:12.09.2025
Views:185
Downloads:28
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Secondary language

Language:English
Title:Remigius Geyling and Memorial Church of the Holy Spirit in Javorca
Abstract:
The thesis examines Memorial Church of the Holy Spirit in Javorca and its author, the Viennese stage designer Remigius Geyling. Built during the First World War on the Isonzo Front at the initiative of soldiers and under the constraints of wartime conditions, the church reflects the stylistic features of the Vienna Secession and the influence of the Wiener Werkstätte. The thesis aims to place Geyling’s artistic development within the social and cultural context of Vienna at the turn of the century. Through the analysis of his life, work and collaborations with other artists, the thesis highlights his approach to the architectural and interior design of the church and examines its affinities with other examples of sacral architecture of the period.

Keywords:Remigius Geyling, Memorial Church of the Holy Spirit, Isonzo Front, Vienna Secession, Wiener Werkstätte, sacral architecture of the 20th century.

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