The master’s thesis titled Knitwear collection based on Croatian national wear presents a personal and research-based insight into the process of designing a collection of knitted garments constructed exclusively from rectangular pieces of knit. The focus lies on the exploration of textures, tactility, interactivity, and the potential of knitwear as a medium that is rich in expressive, visual, and technical qualities.
The foundation of the collection is based on reflections on sustainable design, the reinterpretation of craft techniques through contemporary technology, and the visual and emotional heritage carried by personal and family stories. Inspiration is drawn from the traditional silhouettes of Croatian folk costume, childhood memories, and an archive of photographs that testify to a time when garment-making was deeply connected to respect for materials and craftsmanship.
The theoretical part examines contemporary approaches to knitwear design, with particular emphasis on designers such as Issey Miyake and Y/Project, who use technology and innovation to redefine the interaction between clothing and the body. Special attention is also given to the importance of craftsmanship and manual skills in the age of automation.
The experimental part presents the development of a collection based on a zero-waste design approach, exploration of textures through various knitted structures, and the enhancement of garments with embroidery and screen printing. The personal creative journey, supported by experiences at Aalto University and Knitwear Lab studio, leds to the recognition of limitations as starting points for innovation.
The conclusion does not offer a definitive answer but opens space for further development that combines tradition and modernity, handcraft and technology, thoughtfulness and playfulness.
|
