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Transformacija filmske recepcije študentov pred in po vzponu pretočnih platform : magistrsko delo
ID Komar, Sabina (Author), ID Tomanić Trivundža, Ilija (Mentor) More about this mentor... This link opens in a new window, ID Oblak Črnič, Tanja (Comentor)

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Abstract
Gledanje filmov in serij je že desetletja pomemben del vsakdanjega življenja, a se je z razvojem tehnologije in digitalizacijo ta izkušnja bistveno spremenila. Filmske vsebine so danes dostopne na pretočnih platformah in mobilnih napravah, kar omogoča individualizirano in časovno prilagodljivo spremljanje. Kolektivno gledanje filmov v skupnem prostoru je vse bolj zamenjano z individualnimi in časovno prilagojenimi ogledi. Te spremembe pomembno vplivajo tudi na teoretske pristope k razumevanju medijske uporabe, zlasti na teorijo rab in gratifikacij, ki danes vključuje nove oblike motivacij in zadovoljitev. V okviru raziskave proučujem, kako so se spremenile rabe in gratifikacije pri gledanju filmskih vsebin, kateri motivi so prevladujoči ter ali ti motivi odražajo premik od kolektivnega k individualnemu načinu gledanja na vzorcu študentov komunikologije.

Language:Slovenian
Keywords:digitalizacija in individualizacija, gledanje filmov in serij, teorija rab in gratifikacij, medijska uporaba, pretočne platforme
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:FDV - Faculty of Social Sciences
Place of publishing:Ljubljana
Publisher:S. Komar
Year:2025
Number of pages:1 spletni vir (1 datoteka PDF (409 str.))
PID:20.500.12556/RUL-171024 This link opens in a new window
UDC:316.74:791(043.2)
COBISS.SI-ID:245317379 This link opens in a new window
Publication date in RUL:27.07.2025
Views:172
Downloads:30
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Secondary language

Language:English
Title:The transformation of student's film reception before and after the rise of streaming platforms
Abstract:
Watching films and series has been an important part of everyday life for decades, but this experience has significantly changed with the advancement of technology and the process of digitization. Film content is now accessible via streaming platforms and mobile devices, allowing for individualized and time-shifted viewing. Collective film viewing in shared spaces is increasingly being replaced by individualized and time-adjusted consumption. These shifts have also impacted theoretical approaches to media use, particularly the uses and gratification theory, which now encompasses new forms of motivations and gratifications. This research explores how he uses and gratifications associated with film and series viewing have changed, which gratifications are predominant, and whether these motives reflect a shift from collective to individual viewing practices among a sample of media and communication studies students.

Keywords:digitalization and individualization, film and series viewing, uses and gratifications theory, media use, streaming platforms

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