Details

Kako se osebnostne značilnosti povezujejo z doživljanjem čustev med poslušanjem glasbenih odlomkov? : magistrsko delo
ID Zamrnik, Brina (Author), ID Slana Ozimič, Anka (Mentor) More about this mentor... This link opens in a new window, ID Avsec, Andreja (Comentor)

.pdfPDF - Presentation file, Download (1,06 MB)
MD5: 5F12AA48BF1603364383CC59EC25D646

Abstract
Glasba predstavlja pomemben del naših življenj, saj nas pogosto spremlja in vpliva na naše razpoloženje in doživljanje trenutne situacije. V zadnjem času se vse več raziskav usmerja v raziskovanje čustvene izkušnje med poslušanjem glasbe, na kar lahko vpliva več dejavnikov, med drugim tudi osebnost. Namen magistrske naloge je bil raziskati povezanost med različnimi osebnostnimi lastnostmi s čustvenim doživljanjem valence in vzburjenosti med poslušanjem glasbenih odlomkov. Vzorec je vključeval 95 posameznikov_ic (M = 21,01 let, SD = 3,62 let), ki so izpolnili_e Vprašalnik velikih pet in izvedli_e nalogo poslušanja glasbenih odlomkov, v kateri so slišali_e 47 glasbenih odlomkov in pri vsakem poročali_e o svojih doživetih čustvih. Rezultati so pokazali, da je stopnja odprtosti statistično značilno napovedovala povprečno doživeto čustveno valenco – bolj odprti_e posamezniki_ce so med poslušanjem glasbe doživeti valenci v povprečju pripisovali_e višje vrednosti. Dodatno smo pokazali, da je ta povezanost specifična za glasbene odlomke z nizko ravnjo vzburjenosti in da so bolj odprti_e posamezniki_ce med poslušanjem glasbe doživeli_e v povprečju več različnih čustev v primerjavi z manj odprtimi posamezniki_cami. Med ostalimi osebnostnimi lastnostmi in doživljanjem čustvene valence ni prišlo do statistično značilnih povezav. Tudi za dimenzijo vzburjenosti rezultati niso pokazali značilnih povezav z osebnostnimi lastnostmi. Magistrsko delo tako osvetljuje pomembno vlogo odprtosti pri čustvenem doživljanju glasbe na dimenzionalni ravni ter predstavlja osnovo za nadaljnje raziskovanje na področju, ki ostaja v veliki meri neraziskano. Hkrati ponuja izhodišča za razvoj intervencij z uporabo glasbe, ki bi lahko bile prilagojene osebnostnim značilnostim posameznika_ce.

Language:Slovenian
Keywords:glasba, čustveni odzivi, osebnostne značilnosti, valenca
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:FF - Faculty of Arts
Place of publishing:Ljubljana
Publisher:[B. Zamrnik]
Year:2025
Number of pages:54 str.
PID:20.500.12556/RUL-170618 This link opens in a new window
UDC:159.923.3:159.942:78(043.2)
COBISS.SI-ID:249474051 This link opens in a new window
Publication date in RUL:10.07.2025
Views:537
Downloads:155
Metadata:XML DC-XML DC-RDF
:
Copy citation
Share:Bookmark and Share

Secondary language

Language:English
Title:How do personality traits relate to the experience of emotions when listening to musical excerpts?
Abstract:
Music is an important part of our lives, often accompanying us and influencing our mood and experience of the situation. Recently, more and more research has focused on the emotional experience of listening to music, which can be influenced by several factors, including personality. The aim of this master thesis was to investigate the relationship between different personality traits with the emotional experience of valence and arousal while listening to musical excerpts. The sample consisted of 95 individuals (M = 21,01 years, SD = 3,62 years) who completed the Big Five Inventory and performed a music listening task in which they listened to 47 musical excerpts and reported their experienced emotions for each one. The results showed that the degree of openness was statistically significantly predictive of the average experienced emotional valence - more open individuals on average assigned higher values to the experienced valence while listening to the music. We further showed that this correlation is specific to music excerpts with low levels of arousal, and that more open individuals experienced more different emotions on average while listening to music compared to less open individuals. There were no statistically significant associations between other personality traits and the experience of emotional valence. For the arousal dimension, the results also showed no significant associations with personality traits. The master's thesis thus sheds light on the important role of trait openness in the emotional experience of music on a dimensional level and provides a basis for further research in an area that remains largely unexplored. At the same time, it offers a starting point for the development of interventions using music that could be tailored to the individual's personality characteristics.

Keywords:music, emotional responses, personality traits, valence

Similar documents

Similar works from RUL:
Similar works from other Slovenian collections:

Back