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Rekonstrukcija spomina in vrzeli v risospominih Alison Bechdel
ID Zupančič, Ajda Ana (Author), ID Krevel, Mojca (Mentor) More about this mentor... This link opens in a new window, ID Matajc, Vanesa (Mentor) More about this mentor... This link opens in a new window

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Abstract
Magistrsko delo stripe, vključno z risoromani, zaradi njihove multimodalne narave obravnava kot odlično izhodišče tako za rekonstrukcijo preteklih dogodkov in doživljanj kot za ponazoritev interaktivnega procesa spominjanja in pozabljanja. Z navezovanjem na ugotovitve teorije stripa, teorije avtobiografije, teorije spominjanja in postklasične naratologije raziskuje sidrišča procesa ustvarjanja in pripovednosti v prvih dveh risospominih Alison Bechdel – Dom za umret (Fun Home, 2006) in Are You My Mother? (2012). Magistrsko delo osvetli, da so vrzeli in napake v spominu ključen del kriterija za avtobiografski diskurz, pri čemer razišče pomen praznih mest v pripovedi ter možnost bralčevega dopolnjevanja teh vrzeli.

Language:Slovenian
Keywords:Alison Bechdel, risoroman, avtobiografski diskurz, teorija stripa, teorija spominjanja, postklasična naratologija
Work type:Master's thesis/paper
Organization:FF - Faculty of Arts
Year:2025
PID:20.500.12556/RUL-170508 This link opens in a new window
COBISS.SI-ID:241961475 This link opens in a new window
Publication date in RUL:08.07.2025
Views:237
Downloads:42
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Secondary language

Language:English
Title:Memory reconstruction and gaps in Alison Bechdel’s graphic memoirs
Abstract:
Because of their multimodality, the master's thesis considers comics, including graphic novels, an excellent blueprint for reconstructing past events and experience as well as representing the interactive process of remembering and forgetting. Relying on findings from the comics studies, the autobiography theory, memory studies and postclassical narratology, the thesis explores the anchor points of the creative process and narrativity in Alison Bechdel's graphic memoirs Fun Home (2006) and Are You My Mother? (2012). The thesis points out that memory gaps and errors are a key part of the autobiographical discourse criteria while exploring the importance of blanks in the narrative and the possibility of the reader filling in these gaps.

Keywords:Alison Bechdel, graphic novels, autobiographical discourse, comics studies, memory studies, postclassical narratology

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