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Vračanje čelista po poškodbi: biomehanski, psihološki in glasbeni vidik : magistrska naloga
ID Kepic, Barbara (Author), ID Haas, Miha (Mentor) More about this mentor... This link opens in a new window, ID Tomc Žargi, Tina (Comentor)

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Abstract
Vračanje po poškodbi predstavlja v svetu profesionalnih glasbenikov veliko problematiko, s katero se najverjetneje soočajo prav vsi. Mnogi svojih težav ne zaznajo ali ne naslovijo. Postopoma se stanje lahko poslabšuje do trenutka, ko igranje inštrumenta, v našem primeru violončela, ni več mogoče. Namen naloge je predstaviti celosten pristop vračanja violončelista k igranju po poškodbi. Primer uspešne rehabilitacije smo predstavili s pomočjo večih tem: samoprepoznavanje, sodelovanje z zdravstvenim timom, izvajanje fizičnih in kognitivnih treningov, na koncu pa sledi še vrnitev k igranju inštrumenta. Po zaključenem zdravljenju je ključna vnaprejšnja uporaba med rehabilitacijo pridobljenih znanj ter postavljanje preventivnih ukrepov. S prispevkom želimo opozoriti na omenjeno problematiko, jo približati vsem glasbenikom ter poudariti, da se je treba pravočasno odzvati in narediti prave korake naprej.

Language:Slovenian
Keywords:violončelisti, rehabilitacija, dejavniki tveganja, preventiva, zdravje pri delu, magistrske naloge
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:AG - Academy of Music
Place of publishing:Ljubljana
Publisher:B. Kepic
Year:2025
Number of pages:22 str.
PID:20.500.12556/RUL-170486 This link opens in a new window
UDC:78.07:780.614.334:613.6
COBISS.SI-ID:241325059 This link opens in a new window
Publication date in RUL:07.07.2025
Views:583
Downloads:173
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Secondary language

Language:English
Title:Recovery of a cellist after injury: biomechanical, psychological, and musical aspects
Abstract:
Coming back to playing after an injury is a significant issue in the world of professional musicians, most likely affecting every single one of them. Many do not recognize or address their difficulties, and over time, the condition may worsen to the point where playing an instrument—in our case, the cello—is no longer possible. The aim of this thesis is to present a holistic approach of a cellist’s return to playing after an injury. A successful rehabilitation case is presented through several key themes: self-awareness, collaboration with a healthcare team, engagement in physical and cognitive training, and finally, the return to instrumental performance. After treatment, it is essential to apply the knowledge gained during rehabilitation and to establish preventive measures for the future. With this contribution, we aim to shed light on this often-overlooked issue, make it more accessible to all musicians, and emphasize the need for timely response and taking correct steps.

Keywords:cellists, rehabilitation, risk factors, prevention, occupational health, master's theses

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