This master’s thesis explores the character of Lescaut in Giacomo Puccini’s opera Manon Lescaut, shedding light on a frequently overlooked yet dramaturgically essential secondary role in one of the cornerstone works of late Italian Romanticism. Lescaut is presented as a multidimensional character, embodying cynical pragmatism, opportunism, charm, and an undertone of emotional loyalty toward his sister Manon. The thesis employs a multidisciplinary approach; literary-dramaturgical, musical, and psychological, to thoroughly analyze Lescaut’s character and his influence on the opera’s development. The theoretical part outlines the historical and compositional background of the opera, with a special focus on its complex libretto created by multiple authors. It proceeds with an in-depth analysis of Lescaut’s textual expression, musical features, and interpersonal dynamics with central figures like Manon, Des Grieux, and Geronte. Musically, Lescaut is characterized by short, rhythmically sharp phrases that contrast with the lyrical style of other protagonists, symbolizing his pragmatic attitude and social adaptability. He is not a one-dimensional figure, but a morally ambiguous agent navigating the interplay of social ambition and familial duty. The study highlights Lescaut’s function as a catalyst for pivotal plot developments and explores his interpretative potential in performance and vocal practice. The conclusions affirm that Lescaut is far more than a narrative device; he embodies central themes of the opera, such as social mobility, sibling loyalty, and psychological duality. This thesis contributes to a deeper understanding of Puccini’s character design and invites further reflection on the role of secondary figures in operatic literature.
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