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Načrtovanje in oblikovanje trajnostnih vsebin na Univerzi v Ljubljani
ID Klenovšek, Urška (Author), ID Ahtik, Jure (Mentor) More about this mentor... This link opens in a new window

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Abstract
V magistrskem delu smo raziskali trajnostne oblikovalske prakse, ki bi podpirale bolj družbeno usmerjeno oblikovanje, ne zgolj potrošništvo. Porodilo se nam je vprašanje, kako lahko svoje znanje grafičnega oblikovanja uporabimo za projekte, ki podpirajo skupnosti, ne škodujejo okolju, hkrati pa na koncu ne dobimo izdelka, ki ga je potrebno prodati. Namen dela je bil sodelovati v lokalni skupnosti in uporabiti znanje grafičnega oblikovanja za komuniciranje ter vzpostavitev bolj trajnostnih praks v študentskem okolju. V teoretičnem delu smo raziskali vloge grafičnih oblikovalcev skozi čas ter njihov vpliv v trenutni družbeno gospodarski ureditvi – kapitalizmu. Raziskali smo pojma, kot sta trajnost in zeleno zavajanje ter možne oblikovalske alternative, ki jih ponujajo oblikovalske skupnosti ali oblikovalski aktivizem. V eksperimentalnem delu smo izvedli polstrukturiran intervju s Centrom za obštudijsko dejavnost, raziskali celostno grafično podobo Univerze v Ljubljani ter naredili pregled komunikacije trajnostnih vsebin na primeru štirih različnih univerz. Za oblikovanje smo uporabili programsko opremo Affinity. Oblikovali smo podobo za Tek od faksa do faksa, ki je bil letos trajnostno obarvan, ter pripravili predlogo značke, ki bi jo Univerza v Ljubljani lahko uporabljala za celovito komuniciranje trajnostnih vsebin in dogodkov. Raziskava je pokazala, da je podpiranje lokalnih skupnosti in sodelovanje pri družbeno usmerjenih projektih najbolj trajnostna rešitev, ki jo kot oblikovalci lahko vnesemo v svoje delo. Pri tem je ključnega pomena zavedanje odgovornosti, ki jo imamo pri svojem delu, in hkrati razumevanje pojmov, kot je trajnost, ki je pogosto le pretveza za škodljive prakse. Na koncu se nam je odprlo vprašanje, do katere mere je smiselno trajnost vključevati na vsa področja našega življenja, da pri tem ne izgubi svojega prvotnega pomena.

Language:Slovenian
Keywords:Trajnost, družbeno oblikovanje, grafično oblikovanje, trajnostna značka, skupnost
Work type:Master's thesis/paper
Organization:NTF - Faculty of Natural Sciences and Engineering
Year:2025
PID:20.500.12556/RUL-169875 This link opens in a new window
Publication date in RUL:13.06.2025
Views:478
Downloads:158
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Secondary language

Language:English
Title:Planning and designing sustainable content at University of Ljubljana
Abstract:
In this master thesis we explored sustainable design practices that would support more socially oriented design, not just consumerism. It raises the question of how we can apply our graphic design skills to projects that support communities, don't harm the environment and don't end up with a product that needs to be sold. The aim of the work was to engage with the local community and use graphic design skills to communicate and establish more sustainable practices in the student environment. In the theoretical part, we explored the roles of graphic designers over time and their impact in the current socio-economic order - capitalism. We explored concepts such as sustainability and greenwashing, as well as possible design alternatives offered by design communities or design activism. In the experimental part, we conducted a semi-structured interview with the Centre for Extracurricular Activities, investigated the corporate graphic identity of the University of Ljubljana and made an overview of the communication of sustainability content on the example of four different universities. We used Affinity software to design the image for the Tek od faksa do faksa, which this year was sustainability themed, and developed a template for a badge that the University of Ljubljana could use to communicate sustainability content and events in a holistic way. The research showed that supporting local communities and participating in socially oriented projects is the most sustainable solution we can bring to our work as designers. Awareness of the responsibility we have in our work is key, alongside an understanding of concepts such as sustainability, which is often just a cover for harmful practices. In the end, the question was to what extent it makes sense to integrate sustainability into all areas of our lives without losing its original meaning.

Keywords:Sustainability, social design, graphic design, sustainability badge, community

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