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Vloga roga in Wagner tube v Wagnerjevi operi Rensko zlato : magistrska naloga
ID Zdovc, Žan (Author), ID Lipovšek, Boštjan (Mentor) More about this mentor... This link opens in a new window

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Abstract
Richard Wagner je imel do trobil poseben odnos, kar se odraža tudi pri njegovem skladanju za rog in Wagner tubo. Razvoj roga kot orkestrskega glasbila je do Wagnerjevega časa dosegel že občudovanja vredne rezultate. Predstavitev ventilnega roga je skladateljem romantike omogočalo bolj prilagodljivo skladanje za Omenjeno glasbilo. Tako rog kot Wagner tuba sta v Wagnerjevi največji operni stvaritvi Nibelungov prstan dva izmed poglavitnih nosilcev tem oziroma vodilnih motivov.

Language:Slovenian
Keywords:Wagner tuba, rog, Rensko zlato, orkester, romantika, zvočne barve, magistrske naloge
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:AG - Academy of Music
Place of publishing:Ljubljana
Publisher:Ž. Zdovc
Year:2024
Number of pages:29 str.
PID:20.500.12556/RUL-162071 This link opens in a new window
UDC:780.646.3:78.071.1Wagner R.(043.2)
COBISS.SI-ID:208060419 This link opens in a new window
Publication date in RUL:18.09.2024
Views:101
Downloads:27
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Secondary language

Language:English
Title:The role of the horn and the Wagner tuba in Wagner's opera Das Rheingold
Abstract:
Richard Wagner had a special relationship with the brass family of instruments, which is also reflected in his composition style for horn and Wagner tuba. The development of the horn as an orchestral instrument had achieved admirable results by Wagner's time. The introduction of the valve horn allowed Romantic composers to compose more flexibly for this instrument. Both the horn and the Wagner tuba are two of the main carriers of themes or accompanying motifs in Wagner's greatest operatic creation, The Ring of the Nibelung.

Keywords:Wagner tuba, horn, orchestra, Rheingold, Romanticism, sound timbres, master's theses

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