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Zgodba kot zdravilo / Črna vešča, beli vrač
ID Ris, Amadea (Author), ID Berlot Pompe, Uršula (Mentor) More about this mentor... This link opens in a new window, ID Černelč, Robert (Mentor) More about this mentor... This link opens in a new window

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Abstract
V magistrskem delu z naslovom Zgodba kot zdravilo: črna vešča, beli vrač obravnavam arhetipe po Jungu s poudarkom na arhetipu divje ženske, procesu transformiranja in utelešenja skozi gibanje telesa. Projektno delo predstavlja 24-minutni videoesej umetnika, ki meji na dokumentarni ali eksperimentalni kratki film. Sestavlja ga arhivski material, videodnevniki, posneti na prenosni računalnik med marcem leta 2016 ter marcem leta 2018, in dva krajša gif-segmenta fotografij, ustvarjenih s pomočjo umetne inteligence (ai-image-generator). Ko govorimo o zgodbi kot zdravilu, govorimo o mehčanju brazgotinastega tkiva, ki so ga za seboj pustile posledice travme. Govorimo o arhetipih za maziljenje starih ran – s katerimi postane duša stvarno vidna, otipljiva in zares živa – ter o procesu ustvarjanja nove duhovne vizualizacije, ki se dotika obnove starih veščin cikla Življenja/Smrti/Življenja – kot ga poimenuje dr. Clarissa Pinkola Estés, jungovska psihoanalitičarka in cantadora, varuhinja starih zgodb.

Language:Slovenian
Keywords:slikarstvo, video in novi mediji, samorefleksija, videodnevnik, arhetip divje ženske, kolektivno nezavedno, individuacija, duhovno zdravljenje, šamanizem, magistrska naloga
Work type:Master's thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2024
PID:20.500.12556/RUL-162047 This link opens in a new window
Publication date in RUL:18.09.2024
Views:163
Downloads:45
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Secondary language

Language:English
Title:Story as medicine / Dark witch, white shaman
Abstract:
Through my master's thesis entitled Story as Medicine: Dark Witch, White Shaman, I discuss archetypes according to Jung with an emphasis on the archetype of the wild woman, as well as the process of transformation and embodiment through body movement and dance: from a wounded woman to a healing woman. The project presents itself as a video essay of the artist bordering on a documentary or an experimental short film. It contains archival material, video diaries recorded between March 2016 and March 2018, and two short gif-segments of photos created with the help of artificial intelligence (ai-image-generator). When we talk about story as medicine, we talk about softening the scar tissue left behind by the consequences of trauma. We talk about archetypes for healing old wounds, about the process of creating a new spiritual visualization that taps into the restoration of the old skills of the Life/Death/Life cycle – as Clarissa Pinkola Estés likes to call it – through which the soul becomes really visible, tangible and truly alive.

Keywords:painting, video and new media, self reflection, video diary, wild woman archetype, collective unconscious, individuation, spiritual healing, shamanism, MA thesis

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