Liberalizacija v slovenskem partizanskem filmu v šestdesetih letih

Lučić, Ljerka (author), Stanković, Peter (mentor)

Diplomsko delo se ukvarja z vprašanjem, ali je liberalizacija politike v bivši Jugoslaviji vplivala na spremembo slovenskega partizanskega filma, ki je v prvih letih po vojni opravljal zlasti agitacijsko funkcijo. Zastavljeni cilj je ugotoviti, ali je v drugi polovici šestdesetih let prišlo do večjih sprememb pri legitimaciji narodnoosvobodilnega boja (NOB) in reprezentaciji glavnih akterjev. V ta namen je kot osnovni epistemološki okvir izbrano področje diskurzivnega konstruiranja resničnosti, medtem ko je kot metoda analize izbrana semiologija. Analiza strokovne literature in osmih filmov, posnetih v obdobju med letoma 1960 in 1969, je pokazala, da so se vzporedno z liberalizacijo družbe spreminjali tudi načini prikaza NOB. Uradna ideologija se je začela umikati avtonomnim avtorskim iskanjem, tako da je v tem času nastalo tudi več kritičnih partizanskih filmov. Največje spremembe so bile pri reprezentaciji partizanov. Končna ugotovitev dela je, da so partizanski filmi še naprej ostali »zagovorniki NOB«, čeprav je prišlo do pomembnih sprememb na ideološkem in estetskem področju.

• Language: Slovenian
• Keywords: partizanski film, NOB, liberalizacija, semiologija, šestdeseta leta, reprezentacija
• Work type: Bachelor thesis/paper
• Organization: FDV - Faculty of Social Sciences
• Year: 2024
• PID: 20.500.12556/RUL-160400
• Publication date in RUL: 28.08.2024

Secondary language

• Language: English
• Title: Liberalization in the Slovenian partisan film in the 1960s

Abstract

The thesis deals with the question whether or not the liberalization of the political situation in the former Yugoslavia brought about any changes in the Slovenian partisan film, which in the first years after the war functioned primarily as a means of promotion of the ideological system. The goal is to determine whether any major changes in the legitimization of the NOB (National Liberation War) and in the potrayal of the main protagonists appeared in the 1960s. For this purpose, the field of discursive construction of reality is chosen as the basic epistemological framework, and semiology as the method of analysis.The analysis of professional literature and eight films made between 1960 and 1969 shows that, parallel to the liberalization of society, the ways of portraying the NOB also changed. The official ideology began to give way to autonomous writers' research; as a result, several quite critical partisan films were also made during this time. The biggest changes are notable in the portrayal of partisan characters. The final conclusion of the thesis is that the established perspective in the films did not change significantly, they remained "defenders of the NOB", despite some considerable changes in the ideological and aesthetic field.

• Keywords: partisan film, NOB, liberalization, semiology, the sixties, representation