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Oblikovanje za slepe in slabovidne
ID Čepin, Zoja (Author), ID Miklavc, Jure (Mentor) More about this mentor... This link opens in a new window

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Abstract
Izobraževanje množic je eden od ključnih doprinosov razstav. Te velikokrat temeljijo na vidnem zaznavanju, kar privede do manjšega nagovora drugih čutil in s tem težje dostopnosti za osebe z okvaro vida. V slovenskih muzejih in galerijah se pozornost velikokrat namenja urejanju prilagoditev, vezanih na samostojno premikanje omenjenih oseb po razstavnih prostorih, kar zmanjšuje možnost za razvoj vsebinskih prilagoditev. Slednje so največkrat rezultat študentskih projektov in niso del enovitega sistema. Poglobljen pregled in raziskava obstoječih rešitev, intervjuji s slepimi in slabovidnimi osebami ter intervjuji s strokovnjaki izpostavijo potrebo po enostavni, finančno ugodni in tehnološko dostopni rešitvi, ki ne bi posegla v obstoječo razstavno postavitev. Možen odgovor na takšno potrebo predstavlja veččutna izkušnja – storitev, ki omogoča muzejem in galerijam zasnovo sistema slušnih in tipnih prilagoditev v sodelovanju s skupnostjo. S tem lahko tako obstoječe kot tudi začasne razstave obiskovalce ob vidu nagovorijo še preko sluha in tipa.

Language:Slovenian
Keywords:industrijsko oblikovanje, slepota, slabovidnost, razstava, tip, sluh, storitveno oblikovanje, diplomska naloga
Work type:Bachelor thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2024
PID:20.500.12556/RUL-159042 This link opens in a new window
Publication date in RUL:28.06.2024
Views:78
Downloads:38
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Secondary language

Language:English
Title:Design for the blind and partially sighted people
Abstract:
Educating the masses is one of the key benefits of exhibitions. Exhibitions are often based on visual perception, which leads to lesser engagement of other senses, making them more difficult to access for people with visual impairments. In Slovenian museums and galleries, attention is often concentrated on making adaptations related to the independent movement of these people through the exhibition spaces, which reduces the possibility for the development of adaptations of content. The latter are most often the result of student projects and are not part of a unified system. An in-depth review and research of existing solutions, along with interviews with blind and visually impaired individuals, and discussions with experts, highlight the need for a simple, cost-effective, and technologically accessible solution which would not interfere with the existing exhibition layout. A possible response to such a need is a multisensory experience – a service that enables museums and galleries to design auditory and tactile adaptation systems in collaboration with the community. In this way, both permanent and temporary exhibitions can address visitors not only through sight, but also through hearing and touch.

Keywords:industrial design, blindness, visual impairment, exhibition, touch, hearing, service design, BA thesis

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